http://hdl.handle.net/11320/6603 Mon, 01 Jun 2026 13:13:08 GMT 2026-06-01T13:13:08Z http://hdl.handle.net/11320/6673 Tytuł: Natalia Malutina, Poetyka wypowiedzi w sztukach dramaturgów odesskich Anny Jabłońskiej i Aleksandra Mardania, Wydawnictwo Uniwersytetu Rzeszowskiego, Rzeszów 2016, ss. 180. Autorzy: Supa, Wanda Sun, 01 Jan 2017 00:00:00 GMT http://hdl.handle.net/11320/6673 2017-01-01T00:00:00Z http://hdl.handle.net/11320/6672 Tytuł: Katarzyna Wojan, Z dziejów leksykografii polsko-rosyjskiej. Tom I. Słowniki lingwistyczne (bibliografia za lata 1700–2015), Wydawnictwo UG, Gdańsk 2016, ss. 386. Autorzy: Макаровска, Ольга Sun, 01 Jan 2017 00:00:00 GMT http://hdl.handle.net/11320/6672 2017-01-01T00:00:00Z http://hdl.handle.net/11320/6671 Tytuł: О современной богослужебной певческой практике старообрядцев Новосибирска (на примере службы мученикам и исповедникам, пострадавшим за правоверие в XVII веке) Autorzy: Светлова, Ольга Abstrakt: In the article the author adheres to the concept of defining the Old Believers as a living tradition that preserved the ancient Russian church singing art. The modern state of liturgical singing practice in the community of the Russian Orthodox Old Believer Church in Novosibirsk is considered. The particular qualities of the Old Believer service to the saints martyrs and confessors who suffered for their faith in the 17th century are analyzed. The author makes a conclusion about the uniqueness of the Old Believer culture, in which, despite inevitable modifications and updates, Old Russian liturgical singing continues to carry its true sacred meaning. Sun, 01 Jan 2017 00:00:00 GMT http://hdl.handle.net/11320/6671 2017-01-01T00:00:00Z http://hdl.handle.net/11320/6670 Tytuł: Na kulturowej granicy Polski i Białorusi – inspiracje literackie i wartości artystyczne Śpiewnika domowego Stanisława Moniuszki Autorzy: Stępniak, Zbigniew Abstrakt: The present work focuses on literary inspirations and artistic value of song lyrics included in the twelve-volume anthology of Stanisław Moniuszko’s songs known as the Home Songbook. The composer, who was born in the Minsk gubernia during the period of Russian partition, maintained strong bond with the Eastern frontier of Poland. The research conducted by the author of this study shows that Moniuszko used the texts created by 97 poets including many artists coming from the Eastern part of Poland (e.g. A. Mickiewicz, J. Czeczot, S. Witwicki, W. Syrokomla, J. Prusinowski etc.); in the collection of 364 songs and duos only 40 lyrics were written by foreign authors. Moniuszko’s work, with all their richness and diversity, played an important part in the cultivation of national identity of the Poles living under the Tsar’s rule; the Belarussians claim that a great deal of his songs have their roots in Belarusian folk culture. Sun, 01 Jan 2017 00:00:00 GMT http://hdl.handle.net/11320/6670 2017-01-01T00:00:00Z