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    <title>DSpace Kolekcja:</title>
    <link>http://hdl.handle.net/11320/20127</link>
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    <pubDate>Mon, 15 Jun 2026 03:05:32 GMT</pubDate>
    <dc:date>2026-06-15T03:05:32Z</dc:date>
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      <title>The Origins of the Scientific Mind: Interview with Gregory J. Feist</title>
      <link>http://hdl.handle.net/11320/20147</link>
      <description>Tytu&amp;#322;: The Origins of the Scientific Mind: Interview with Gregory J. Feist
Autorzy: Feist, Gregory J.; Lebuda, Izabela
Abstrakt: In the interview with Gregory J. Feist, one of most prolific creativity researchers, we discuss his career, main areas of research interest, chosen research methods and share his thoughts about the future of research on creativity and effectiveness in scientific work.</description>
      <pubDate>Sat, 01 Jan 2022 00:00:00 GMT</pubDate>
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      <dc:date>2022-01-01T00:00:00Z</dc:date>
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      <title>Are Video Streaming Platforms Stifling Local Production Creativity? The Spanish Case</title>
      <link>http://hdl.handle.net/11320/20146</link>
      <description>Tytu&amp;#322;: Are Video Streaming Platforms Stifling Local Production Creativity? The Spanish Case
Autorzy: Medina, Mercedes; Diego, Patricia; Portilla, Idoia
Abstrakt: International streaming platforms have broken into the European market and are partnering with local production companies to produce content. Online consumption generates a huge database on the tastes and consumption patterns of viewers. Although the business of video streaming platforms is to attract subscribers, all this data could be used to produce content adapted to the different sensibilities of the audience. We want to investigate to what extent entry of the streaming companies has impacted the creativity of the production process in Spain and how creativity may be affected by this. We carried out semi-structured interviews with creative workers who produce for both linear television channels and video on demand platforms. The sample focuses on four workers from independent production companies with years of experience working for the television channels that have started working for new streaming companies. Their responses imply that big data does not appear to reduce uncertainty and is not applied to make decisions in the first stages of the production process. However, production of local shows has changed significantly.</description>
      <pubDate>Sat, 01 Jan 2022 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/11320/20146</guid>
      <dc:date>2022-01-01T00:00:00Z</dc:date>
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      <title>The Generative Force of the Domain and the Field: Contributions of Highly Creative Women</title>
      <link>http://hdl.handle.net/11320/20143</link>
      <description>Tytu&amp;#322;: The Generative Force of the Domain and the Field: Contributions of Highly Creative Women
Autorzy: Porto, Marina; Romo, Manuela
Abstrakt: This study aims to explore the two less frequently researched pillars of the systems theory of creativity: domain and field, through a gender lens. Twenty-five award-winning women from different domains were interviewed. Their responses were examined using grounded theory. Results show four categories associated to domain: (1) access, including family incentive, interest in childhood, and late start; (2) relationship, reflected &#xD;
in high level of engagement, positive feelings, priority in life, and crisis; (3) gender barriers, encompassing family impact, financial limitations, discrimination, and being part of a minority; and (4) extra-domain, described in background and interests in other areas. Four additional &#xD;
categories were identified in relation to the field: (a) 10 years to gain recognition, (b) unclear criteria, (c) men hold the power, and (d) denial of gender barriers. The importance of fostering appealing domains that motivate women is discussed, along with the need for openness to interdisciplinarity and nonlinear careers. Masculinisation of the fields is problematised as an obstacle for the development and recognition of women. The personal discrimination denial paradox, in spite of accounts of the gender barriers experienced, is questioned.</description>
      <pubDate>Sat, 01 Jan 2022 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/11320/20143</guid>
      <dc:date>2022-01-01T00:00:00Z</dc:date>
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      <title>Image of Everyday Creativity. An Individual Case of a Person with Passion</title>
      <link>http://hdl.handle.net/11320/20138</link>
      <description>Tytu&amp;#322;: Image of Everyday Creativity. An Individual Case of a Person with Passion
Autorzy: Uszyńska-Jarmoc, Janina; Kunat, Beata
Abstrakt: The goal of the present study is to showcase the relation of creativity and passion, captured from the perspective of an analysis of experiences, subjective encounters, and feelings of an everyday creator, as well as analysis of their products. Basing on qualitative analysis of an individual &#xD;
case of a person with passion, the paper presents an image of their everyday creativity. In our research, we referred to the principles of everyday creativity (Richards, 1999, 2007, 2010). Analysis of the results of The Dualistic Model of Passion (Vallerand et al., 2003; Vallerand, 2008, &#xD;
2010, 2015) became the theoretical frame of reference in our pursuits of the role passion plays in the examined person’s creativity. We conducted an analysis of the process and effects of everyday creativity of this individual in the context of two dimensions of harmonious and obsessive passion (Vallerand, 2015). Additionally, we analyzed and interpreted qualitative material in the context of the concept of Flow (Csíkszentmihályi, 1996) and Grit: The Power of Passion and Perseverance (Duckworth et al., 2007; Duckworth &amp; Quinn, 2009; Duckworth, 2016). We analyzed traits of the examined everyday creator in the context of the Big-Five concept of personality (McCrae, 1987; McCrae &amp; Costa, 1999). The research shows that using the theory of passion to analyze an individual’s everyday creativity can reveal two extremely different images of a person’s creative works, their personality, as well as the creative process itself. These images are differentiated by harmonious passion and obsessive passion, considered here as disparate sources of creativity.</description>
      <pubDate>Sat, 01 Jan 2022 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/11320/20138</guid>
      <dc:date>2022-01-01T00:00:00Z</dc:date>
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