http://hdl.handle.net/11320/18946 Sat, 14 Mar 2026 17:34:53 GMT 2026-03-14T17:34:53Z http://hdl.handle.net/11320/18973 Tytuł: Woda w szwedzkich landszaftach z przełomu XIX i XX wieku (konteksty liryki Gałczyńskiego) Autorzy: Wojciechowski, Paweł Abstrakt: The sketch presents examples of the works of Swedish landscape painters of the turn of the 19th and 20th century, where the element of water is the central motif. The sea, lake, and river are shown as the leading figures that are present in these works. They were interpreted in the fin-de-siecle categories of interpretation. A poetic context was added – the topics of the lake in the Olsztyn Chronicles by K.I. Gałczyński. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18973 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18972 Tytuł: Echa Gałczyńskiego na szlaku. O turystycznych sposobach doświadczania poety i poezji Autorzy: Maj, Joanna Abstrakt: The article focuses on the guidebooks and tourist trails that commemorate the outstanding Polish poet Konstanty Ildefons Gałczyński (1905–1953) in the Masurian region in northern Poland, where the poet used to spend holidays at the Pranie Forester’s House. The sketch presents the literary memorial sites that emerge based on the works and biography of Gałczyński, where one may experience his poetry in the touristic way. The author follows the geoliterary tracks of the poet and attempts to answer the question about the types of narratives created by specific locations and the methods of their presentation through such generic forms as guidebooks, maps, museums, and trails. Each of the sites manages the historical material and the subjectivity of the narrator in a different way, leaving different tracks: personal, theoretical, urban or natural ones. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18972 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18971 Tytuł: Gałczyński alternatywnie Autorzy: Regiewicz, Adam Abstrakt: The poetry of Konstanty Ildefons Galczynski is marked by musicality. The openness of the poet’s text to sonority and melody has resulted in an extraordinary popularity of performances in the world of literary song, sung poetry or various cabaret forms. Against this background, musical adaptations of Galczynski’s texts are extremely modest. Usually, the transfer of the poetic text into the space of musical performance is carried out through the solutions of sung poetry or acted song, much less through musical alternative. If contemporary alternative music reaches out to the poetry of the Bicentennial, it is rather to Tuwim or Broniewski; it does so much less often to the author of ‚Warsaw cab’. Musical adaptations of Gałczyński’s poetry by Stanisław Staszewski, whose performances were reread by the bands Kult and Kwartet ProForma, are an exception. Analysing the musical interpretations of the poems, the author asks the question about the reason for such a negligible representation of Gałczyński’s texts in alternative music. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18971 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18970 Tytuł: Filmowy portret Gałczyńskiego: Odwyk Autorzy: Piechota, Dariusz Abstrakt: This article is devoted to the film Rehab (2011) directed by Krzysztof Jankowski who was awarded the Grand Prix during the 10th International Forum of Independent Feature Films in Warsaw. Jankowski’s production is part of a wider phenomenon presents in the latest popular culture, which is retelling, or telling stories again. The creator of Rehab stressed that the source of inspiration to make a film became an episode from Gałczyński’s life, which is mentioned by Czesław Miłosz in Enslaved mind. The dominant minimalism in combination with the intertextuality of Rehab, opens the next possibilities of “processing” of this small anecdote from Gałczyński’s life to other forms of art, like radio plays or one -acting. The episode of the poet’s stay in the psychiatric hospital in Jankowski’s approach became a micronarration, a separate story and also an artistic experiment of the creator. Numerous references to the poet’s biography and work are based not only on the Enslaved mind of Miłosz, but also on the works of Jerzy Stefan Ossowski and Adam Kulawik. Intertextualism based on the principle of quote and allusions encourages the viewers not only to take up the game – playing in deciphering hidden meanings in the film, but also has a deeper dimension – perhaps the story of a certain episode from Gałczyński’s life will encourage to read his poetry and letters again. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18970 2025-01-01T00:00:00Z