http://hdl.handle.net/11320/18658 Mon, 01 Jun 2026 18:07:43 GMT 2026-06-01T18:07:43Z http://hdl.handle.net/11320/18693 Tytuł: Laboratorium metanarracji w bestiarium świata. Dramaturgia Jurija Kławdijewa Autorzy: Biegluk-Leś, Weronika Abstrakt: This article examines the actions and communication techniques in Yuri Klavdiev’s early plays that are included in the collection Sobiratel’ pul’ i dr. Ordalii (Moscow 2006). Numerous levels of the work are covered in the discussion, including the characters, presented world, composition and construction, which allows the unique verbal and nonverbal relations between the individual, the world and oneself to be shown, as well as the nature of the author’s dialogue with the reader/viewer. The young protagonists of Klavdiev’s dramas, who function in a post-Soviet reality deformed by evil and violence, attempt to organize chaos, give meaning to their existence, compensate for traumas, and express themselves by creating private “metanarratives” rooted in both high and mass culture. Unfortunately, in the world’s “bestiary”, it is aggression (leading to destruction and self-destruction) that proves to be the most effective catalyst for communication, cognition, self-realization, and self-identification. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18693 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18690 Tytuł: Tkanie świata i kreowanie Losu w Kasandrze Łesi Ukrainki Autorzy: Varetska, Sofia; Macenka, Svitlana; Tarasyuk, Yaryna Abstrakt: The article presents a new perspective on a classic dramatic text of early 20th-century Ukrainian literature – the dramatic poem Cassandra (1907) by the outstanding Ukrainian poet Lesya Ukrainka. Referring to Mircea Eliade’s philosophical anthropology and the ideas of Ukrainian ethnology, the authors propose reading Lesia Ukrainka’s drama Cassandra as a textual staging of weaving fate / “creating a family”. This interpretation is based on the craft processes of wool processing, spinning, weaving, decoration and related rituals, which are widely presented in the work as a kind of background. Important mythological and folkloric structures include the “spinning moon”, the ‘great wedding’ and funeral rites as rites of passage, as well as “sewing” / the inscription of Destiny. In the authors’ interpretation, Cassandra appears not only as a dramatic work about the fatalism of history, but also as a profound metatextual reflection by Lesia Ukrainka herself on the role of the artist-prophet, whose voice, like that of a priestess, transcends the boundaries of time and culture, taking root in collective experience and appealing to the reader’s inner transformation. In this way, the idea of returning to the perception of “mythological knowledge” as an organic component of creative activity, which has practical value, is justified. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18690 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18689 Tytuł: Sońka – ciało mistyczne i ciało opowiadane Autorzy: Sitek, Klaudia Abstrakt: The author of the article addresses the topic of bodily experience in Ignacy Karpowicz’s prose, interpreting in this context his most popular and best-received novel, Sońka. Based on an analysis of the bodily experiences of the characters and the body-subject relationship, the author discusses the influence of the body on identity processes, highlighting issues such as memory, sexuality and corporeal epiphanies. Importantly she also reflects on the aestheticisation of suffering in art. According to the author, the writer’s way of depicting and utilising the body aligns with the discourse on corporeality developed within contemporary humanities. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18689 2025-01-01T00:00:00Z http://hdl.handle.net/11320/18688 Tytuł: Mężczyźni spod Wałbrzycha: fantazmatyczny kochanek, przemocowy ojciec i bowarystyczny sąsiad w Gorzko, gorzko Joanny Bator Autorzy: Rawski, Jakub Abstrakt: The aim of this article is to analyse the masculine personas in Joanna Bator’s novel Gorzko, gorzko (2021) in those parts of the work that take place near Waldenburg (Polish: Wałbrzych) in the pre-war period. The author of the article suggest the typology in order to interpret critically the three figures of a phantasmal lover, an abusive father and a bovaresque neighbour. The analytical tools used drwa from comparative and psychoanalytical methods. In terms of comparative studies, the aim is to identify traces of Gustave Flaubert’s Madame Bovary (1856) in Gorzko, gorzko in creating the male protagonist. The psychoanalytical approach, on the other hand, is related to research on masculinity and narrowed down to phantasmal criticism with an emphasis on the father figure and the category of violence. Wed, 01 Jan 2025 00:00:00 GMT http://hdl.handle.net/11320/18688 2025-01-01T00:00:00Z