http://hdl.handle.net/11320/17366 Mon, 01 Jun 2026 14:09:11 GMT 2026-06-01T14:09:11Z http://hdl.handle.net/11320/17397 Tytuł: O sztuce, której nie ma. Dlaczego Różewicz nie napisał dramatu o Walerianie Łukasińskim? Autorzy: Sawicka-Mierzyńska, Katarzyna Abstrakt: The paper contains the answer to the question why Tadeusz Różewicz did not realize his intention to write a play about Walerian Łukasiński, Polish patriot, who spent 46 years in a Russian prison, for many years with the ban on communication. In order to give it, the author analyzes the relation of poetry, silence and sacrum in Różewicz’s literary works and his author’s expressions, formulating a thesis that not having written a play on Łukasiński was a manifestation of the poet’s maximalism: searching for an expression of tragism, and especially the prisoner’s silence, he preferred to leave them in the sphere of silence, beyond the word. Fri, 01 Jan 2010 00:00:00 GMT http://hdl.handle.net/11320/17397 2010-01-01T00:00:00Z http://hdl.handle.net/11320/17396 Tytuł: Śmierć i sztuka przy kawiarnianym stoliku. O kilku wierszach Wisławy Szymborskiej Autorzy: Kulesza, Dariusz Abstrakt: The author of the sketch presents W. Szymborska’s poetry, searching for its essence in post-October (1956) “I don’t know”, brought from the therapeutic function (genetically anti-socialist-realist) to the café attitude consequently realized by the poet, and even the entertaining one (Rymowanki dla dużych dzieci... / Rhymes for Big Kids). In addition, in the text this strategy (more epistemological than social) underwent a trial of reality, i.e. the confrontation with death. All that has been done, so that in the ending it could be placed in the context of what, in an overly high-flown way, can be called history (theory) of art according toWisława Szymborska. Fri, 01 Jan 2010 00:00:00 GMT http://hdl.handle.net/11320/17396 2010-01-01T00:00:00Z http://hdl.handle.net/11320/17395 Tytuł: Dekonstrukcja mitu jako (ponowna) mitologizacja (Parnicki i Hegel) Autorzy: Gołuński, Mirosław Abstrakt: In the paper the author discusses the problem of self-mythologization as a consequence of the results of previous demythologization of the text of history. In the first part the phenomenon is described on the example of the novel by Teodor Parnicki, Nowa baśń part I, in which the process of self-mythologization is consciously created by the writer. The second part of the article discusses Hegel’s Wykłady z filozofii dziejów (Lectures on the Philosophy of History). In this case analogous, but at this time unconscious, processes, which the German philosopher underwent, are observed. In both cases it is a process, in the result of which the deconstructors of myths create new myths, in fact, immediately, because irrespective of their assurances they do not aim at objectivity, but they build narrations which are originally supposed to realize their own goals. Fri, 01 Jan 2010 00:00:00 GMT http://hdl.handle.net/11320/17395 2010-01-01T00:00:00Z http://hdl.handle.net/11320/17394 Tytuł: Miasto jako teatr. Obraz Londynu we wczesnych zapiskach podróżnych Władysława Stanisława Reymonta Autorzy: Kochanowski, Marek Abstrakt: Władysław Stanisław Reymont’s Notatki podróżne is the notes from the writer’s journey abroad in 1894. In the present paper the author analyses the ways of organizing semantics of the notes, which are connected with theatricalizing the writer’s own experience and perceiving the reality in the categories adequate for the theatrical stage. The main strategy Reymont employs is the role of the spectator, who presents described cities (Berlin, London, Paris) in the categories adequate for the theatre; the world is a spectacle of various kinds of behaviours and characters taking part in a number of performances. In this way the writer sets his own narration in the framework of the centuries-old, cultural metaphor, which says that the world is a theatre. Fri, 01 Jan 2010 00:00:00 GMT http://hdl.handle.net/11320/17394 2010-01-01T00:00:00Z