http://hdl.handle.net/11320/10749 Mon, 01 Jun 2026 15:18:31 GMT 2026-06-01T15:18:31Z http://hdl.handle.net/11320/6094 Tytuł: W kręgu problemów antropologii literatury. W stronę antropologii niezwykłości Redaktor(rzy): Supa, Wanda Tue, 01 Jan 2013 00:00:00 GMT http://hdl.handle.net/11320/6094 2013-01-01T00:00:00Z http://hdl.handle.net/11320/6093 Tytuł: Идиллия «с тенденцией»: пародия на идиллию в лирике ХХ в. Autorzy: Балашова, Елена Abstrakt: In the following article the parody is examined as one of the ways of reproducing of alien style. The appearance of parodies means ending of the forming variant. The «purer» genre the clearer associations that come to reader’s mind. In the 20th century, the parody of lyrical poets is directed at the reception of idyllic landscape, hero and on the logic of idyll’s composition. The works whose aim is to mock of the author, ideal or concrete poem, are also shown. Beyond the parody, it is possible to notice a deliberately wrong use of the form. In this way the penetration of a the new under the comic mask becomes easier, because the contemporary understands the impossibility of the realization of idyllic ideals. Tue, 01 Jan 2013 00:00:00 GMT http://hdl.handle.net/11320/6093 2013-01-01T00:00:00Z http://hdl.handle.net/11320/6092 Tytuł: Перформативные особенности текста в современной драме Autorzy: Семьян, Татьяна Abstrakt: This paper offers an analysis of the visual appearance of the texts of modern drama, performative qualities which are manifested in the syncretism of poetics in the process of the text creolisation, mixed clan boundaries of the genre and the phenomenon of emphasizing physicality. Tue, 01 Jan 2013 00:00:00 GMT http://hdl.handle.net/11320/6092 2013-01-01T00:00:00Z http://hdl.handle.net/11320/6091 Tytuł: Біблійно-міфологічні парадигми в романі-епопеї Листя землі В. Дрозда Autorzy: Дашко, Наталія Abstrakt: This article is dedicated to the analysis of the contemporary work of the Ukrainian writer V. Drozd in the perspective of biblical and mythological poetry. The author’s attention is focused on biblical and mythological “codes”, which might be indirectly considered as motifs of “Being”, “Judah”, “Cain and Abel”, “Prophet”, “Jesus Chriest”. These codes are important tools of the underlying understanding of being and artistic model of interconnections between the human and the world. The gist of each one is revealed through the system of artistic details (“thirty silver coins”, looks and heroes’ actions), transformed characters (Judah, Cain and Abel, biblical prophets), motifs (world and human creation, betrayal, fratricide, prophecy), directed by allusions to the biblical plots, which expand due to mythological fables. A complicated interaction of their semantic fields creates the dialectical unity of the plot. While interpreting biblical characters the author represents them as poly-semantic symbols, which is why they are perceived in their ontological plurality. Tue, 01 Jan 2013 00:00:00 GMT http://hdl.handle.net/11320/6091 2013-01-01T00:00:00Z