<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel rdf:about="http://hdl.handle.net/11320/4580">
    <title>DSpace Kolekcja:</title>
    <link>http://hdl.handle.net/11320/4580</link>
    <description />
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://hdl.handle.net/11320/4605" />
        <rdf:li rdf:resource="http://hdl.handle.net/11320/4604" />
        <rdf:li rdf:resource="http://hdl.handle.net/11320/4603" />
        <rdf:li rdf:resource="http://hdl.handle.net/11320/4602" />
      </rdf:Seq>
    </items>
    <dc:date>2026-06-01T17:17:15Z</dc:date>
  </channel>
  <item rdf:about="http://hdl.handle.net/11320/4605">
    <title>Frank Lloyd Wright’s Broadacre City as a manifestation of American values of freedom and democracy</title>
    <link>http://hdl.handle.net/11320/4605</link>
    <description>Tytu&amp;#322;: Frank Lloyd Wright’s Broadacre City as a manifestation of American values of freedom and democracy
Autorzy: Stankiewicz, Emilia
Abstrakt: Architecture of a particular country is one of the most visible manifestations of its cultural heritage. When approaching this subject matter in reference to United States of America, mentioning Frank Lloyd Wright is inevitable, as he is often referred to as “the greatest American architect of all time”. Frank Lloyd Wright’s vision of Broadacre City was a project that consumed the greater part of the architect’s life. The article investigates the technical, structural and ideological aspects of the Broadacre City concept. The main objective of this article is to establish whether Broadacre City was designed in the spirit of the most fundamental American values of freedom and democracy and how those values were manifested in the project itself.</description>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/11320/4604">
    <title>Beata Piątek. History, Memory, Trauma in Contemporary British and Irish Fiction. Kraków: Jagiellonian University Press, 2014. pp. 197.</title>
    <link>http://hdl.handle.net/11320/4604</link>
    <description>Tytu&amp;#322;: Beata Piątek. History, Memory, Trauma in Contemporary British and Irish Fiction. Kraków: Jagiellonian University Press, 2014. pp. 197.
Autorzy: Tomczak, Anna Maria
Opis: Review articles</description>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/11320/4603">
    <title>Can Themba: The Legacy of a South African Writer</title>
    <link>http://hdl.handle.net/11320/4603</link>
    <description>Tytu&amp;#322;: Can Themba: The Legacy of a South African Writer
Autorzy: Crowe, John Harold
Abstrakt: The article seeks to explore the world of Can Themba, a foremost literary figure during the era of apartheid. Through an examination of a selection of his short stories we realise that writers often found sub- textual ways of confronting that pernicious system. This article argues that Themba did just that. Finally it also seeks to make problematic issues of labelling and stereotyping.</description>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/11320/4602">
    <title>The Interplay of the Domestic and the Uncanny in Susanna Clarke’s Jonathan Strange and Mr Norrell</title>
    <link>http://hdl.handle.net/11320/4602</link>
    <description>Tytu&amp;#322;: The Interplay of the Domestic and the Uncanny in Susanna Clarke’s Jonathan Strange and Mr Norrell
Autorzy: Borowska-Szerszun, Sylwia
Abstrakt: This article examines the effects resulting from the interplay of the domestic and the uncanny in Susanna Clarke’s Jonathan Strange and Mr Norrell, a novel that boldly blends the conventions of the novel of manners and Gothic fiction. Analysing the selected key elements of the story, it is argued that while the uncanny is domesticated for a considerable part of the narrative, in the Gothic layer of the novel the mechanism of the uncanny is used to bring to light repressed voices. In the process, the long-established sources of inspiration for fantasy literature are rejected, and the nineteenth-century tradition of women’s writing, in both its realistic and Gothic threads, is used to reinvigorate the thematic and structural repertoire of the genre.</description>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </item>
</rdf:RDF>

