http://hdl.handle.net/11320/3270 2026-06-01T19:16:32Z http://hdl.handle.net/11320/3302 Tytuł: Nieradosne gry kulturowej dekonstrukcji. Tlen Iwana Wyrypajewa Autorzy: Biegluk-Leś, Weronika Abstrakt: "Tlen" [Oxygen] by Ivan Vyrypaev is a multi-plane text with a successful marriage of universality and topicality and local colors. The thematic layer of the text is made by both the image of the modern world disturbed by conflicts as well as the image of the post-Soviet Russia. The provocative deconstruction of the biblical rhetoric exposes an axiological chaos and epistemological loss of the human, and the incessant reinterpretation of notions and judgments becomes a gesture of description and cognition of the world. 2014-01-01T00:00:00Z http://hdl.handle.net/11320/3301 Tytuł: Wypisy z ksiąg użytecznych jako wypowiedź programowa Czesława Miłosza Autorzy: Partyka, Jacek Abstrakt: The purpose of this article is to reconsider Czesław Miłosz’s two anthologies of poetry, "Wypisy z ksiąg użytecznych" (1994) and its counterpart in the English language "A Book of Luminous Things" (1996), as metapoetic reflections on the obligations of contemporary poetry. In particular, it highlights the nature of Miłosz’s ideological contention with Wallace Stevens and Richard Rorty. 2014-01-01T00:00:00Z http://hdl.handle.net/11320/3300 Tytuł: Labirynt jako przestrzeń mityczna w Biegunach Olgi Tokarczuk Autorzy: Larenta, Anna Abstrakt: This article is an analysis of Olga Tokarczuk’s novel "Bieguni", the main subject of which is movement. Interpretation of the book aims at demonstrating that the image of labyrinth operates in Olga Tokarczuk’s text as a literary motif or “labyrinthness represented” and as “labyrinthness representing” organizing the structure of the work on many planes. 2014-01-01T00:00:00Z http://hdl.handle.net/11320/3299 Tytuł: Przeciw śmierci. Liryka Justyny Bargielskiej Autorzy: Czyżak, Agnieszka Abstrakt: This article contains reflections on the most important themes of Justyna Bargielska’s lyrics: death, mortality and loss. The peculiar compulsion of creating poems centered around thanatologic motifs stems from the poet’s biographic experience, and her lyrics very often constitutes an expression, subversive and iconoclastic, of the female experiencing mourning. Poetry turns out to be a value contrasted with death, but its effect facilitating reconciliation with the inevitability of the end has a dimension fragmentary, conditional and limited in time, which forces us to take further efforts towards the consciously taken job of “creating against death”. 2014-01-01T00:00:00Z