http://hdl.handle.net/11320/1857 2026-06-14T23:43:26Z http://hdl.handle.net/11320/2021 Tytuł: Listy zza oceanu. W 50. rocznicę śmierci Czesława Straszewicza – autora "Turystów z bocianich gniazd" Autorzy: Wejs-Milewska, Violetta Abstrakt: The fiftieth death anniversary of Czesław Straszewicz (1904–1963) makes a perfect opportunity to present the writers archival epistolary legacy from the emigration period, so far unpublished. The addressee of most of the writer’s letters is Jan Nowak-Jeziorański, the director of the Polish Section of Radio Free Europe as well as a few other workers of this radio station. This body of letters is complemented by letters of the writer’s wife, Ewa Roman-Straszewicz to Tadeusz Zawadzki and Nowak-Jeziorański, written after the death of the author of Turyści z bocianich gniazd [Tourists from stork nests]. 2013-01-01T00:00:00Z http://hdl.handle.net/11320/2020 Tytuł: Zdziwienie zamiast krzyku. O opowiadaniach Idy Fink Autorzy: Sokołowska, Katarzyna Abstrakt: The subject of analysis in the article is Ida Fink’s stories considered in the context of the poetics of minimalism. The author posits that a key function in this writer’s work is fulfilled by a strategy of astonishment, which allows us to speak about Holocaust in a hushed voice. 2013-01-01T00:00:00Z http://hdl.handle.net/11320/2019 Tytuł: Przestrzenie Doroty Masłowskiej Autorzy: Czyżak, Agnieszka Abstrakt: The objective of the article is to analyze different variants of creating spaces in Dorota Masłowska’s prose. It is an interpretation of the evolution of the author’s strategies of diagnosing the present, also performed through penetrating the space understood as a collection of cultural practices. The acceleration of the process of civilization changes is simultaneously a subject of Masłowska’s diagnoses as well as a factor determining the shape and destination of her creative accomplishments. 2013-01-01T00:00:00Z http://hdl.handle.net/11320/2018 Tytuł: Nowy katastrofizm. O poemacie "Trzecia część" Krzysztofa Koehlera Autorzy: Woźniak-Łabieniec, Marzena Abstrakt: In the classical current of Polish lyrical poetry, formed after 1989, strong catastrophic elements have recently emerged. This article is an attempt at demonstrating how catastrophism has become the crucial construction principle of the poem Trzecia część [Third part] of Krzysztof Koehler, one of the most important classicizing authors of new lyrical poetry. Building a catastrophic vision of the modern world, the poet-classicist reaches for tradition, refers to T.S. Eliot’s way of representation and conducts a hidden dialogue with the just post-war poetry of Czesław Miłosz. 2013-01-01T00:00:00Z