http://hdl.handle.net/11320/15188 2026-06-14T23:54:24Z http://hdl.handle.net/11320/15215 Tytuł: Od Redakcji Autorzy: Ławski, Jarosław 2022-01-01T00:00:00Z http://hdl.handle.net/11320/15213 Tytuł: O gwarach białoruskich na Litwie Autorzy: Citko, Lilia Abstrakt: The author reviews Mirosław Jankowiak’s study Lexicon of Belarusian Dialects in Lithuania. The Linguistic Heritage of the Baltic-Slavic Borderland (Prague 2022). In her opinion, it is a cognitively valuable study of the dialect vocabulary beyond the borders of Belarus. Set methodologically in the area of several linguistic sub-disciplines – dialectology, sociolinguistics, linguistic geography, dialect lexicography – it presents a comprehensive description of Belarusian dialect lexis historically shaped and functioning today in the conditions of the multi-ethnic Baltic-Slavic borderland. Opis: Recenzja: Mirosław Jankowiak, Lexikum běloruských nářečí v Litvě. Jazykové dědictví balto-slovanského pomezí. Leksyka gwar białoruskich na Litwie. Dziedzictwo językowe pogranicza bałtycko-słowiańskiego, Slovanský ústav AV ČR, Praha 2022, 623 s. 2022-01-01T00:00:00Z http://hdl.handle.net/11320/15212 Tytuł: Matecznik i jego białoruskie korzenie. Mickiewiczowska filozofia przyrody w Panu Tadeuszu Autorzy: Głowacka, Ewelina Abstrakt: Description of the backwoods from Pan Tadeusz stands out – both in the context of the epoch as well as other writings of Mickiewicz – with a strong non-anthropocentric perspective. Using methods of ecocriticism in this paper, I will try to present the emancipatory aspect of the description of the backwoods as a place untouched by a human, and in its entirety left to nature and the processes occurring in it. I analyze poetical portrayals of the wild nature included in the fragment of the poem under discussion, both those characterized by the realism of description as well as those which were idolized. I will also try to put issues that are being discussed here in a broader context of Mickiewicz’s attitude towards nature and the spot he puts it in on his metaphysical-theological map of beings. 2022-01-01T00:00:00Z http://hdl.handle.net/11320/15211 Tytuł: Groza wojny w balladowej odsłonie powstania na Litwie w 1831 roku – Nocleg Adama Mickiewicza Autorzy: Januszkiewicz, Agnieszka Abstrakt: Themes revealing the horror of war rarely appeared in poetry related to the November Uprising. The authors of insurrectionary works usually sought to high-light the positive aspects of the battle, relegating to the sidelines drastic images and experiences of difficult, ambiguous emotions released in confrontation with the real battlefield (including fear, disgust, and hatred), in contact with death peeled from romantic decorations. Adam Mickiewicz’s ballad The Night, set in Lithuania during the 1831 uprising, breaks from the standards of Romantic aesthetics, according to which a lofty image of the struggle against the invader was built. Mickiewicz touched on such topics in the work as the death of civilians, acts of revenge, torture, and negative emotions. The Night was censored during its first publication precisely because of the brutality of its depiction of scenes of partisan fighting in Lithuania. However, literary scholars have concluded that the ballad’s troubles with publication in the 19th century were due to Mickiewicz’s subordination of religious values to national ones. The interpretation of the work, which focuses on bringing out and describing the manifestations of war horror appearing in the text, reveals the dark side of the insurgent struggle, which rarely became the subject of November poetry. 2022-01-01T00:00:00Z