http://hdl.handle.net/11320/10098 2026-06-01T18:13:58Z http://hdl.handle.net/11320/10121 Tytuł: Paryż Kossaków. Śladami wspomnień rodzinnych Autorzy: Adamik, Ewelina Abstrakt: The article discusses the ties of the Kossak family with the nineteenthand twentieth-century Paris, tracing the facts in the existing artistic works and memoirs. The author concentrates on the artistic connections, especially concerning Juliusz, the progenitor of the Kossak family, with the Parisian artists and Polish modernist bohemia. The author shows the strong connections between Wojciech Kossak, Maria Pawlikowska-Jasnorzewska and Magdalena Samozwaniec and Paris, and she proves that the city was the source of creative inspiration. 2020-01-01T00:00:00Z http://hdl.handle.net/11320/10120 Tytuł: Wyobraźnia zorganizowana. Poetyka wiersza kolory Jana Brzękowskiego Autorzy: Smaruj, Alicja Abstrakt: The article interprets Jan Brzękowski’s poem kolory [couleurs]. Accepting the assumption that the reading of the Cracow avant-garde poetry, including Brzękowski’s works, requires the textual approach, the author of the article gives an in-depth discussion of rhetorical figures (especially metaphors) and symbolic motifs (metals, colours, weather phenomena). Such reading of kolory turns the poem into a statement about the unique psychological (or even spiritual) experience of the lyrical self, who, after a crisis of darkness, has an insight “in the breaking dawn”. 2020-01-01T00:00:00Z http://hdl.handle.net/11320/10119 Tytuł: Siła sprawcza afektu. O balladzie Czaty Adama Mickiewicza Autorzy: Januszkiewicz, Agnieszka Abstrakt: The article analyzes the ballad Czaty by Adam Mickiewicz, which has so far received little critical attention. If it was discussed, though, the reason was merely its experimental verse form of the anapaest and the work’s stylistic merit. Aiming to re-interpret Mickiewicz’s poem, the author of the article concentrates on the narratorial voice and the connections between the literary characters (the voivode, his young wife, the lover, and the voivode’s Cossack servant-Nauman). She also underscores the driving force behind the unfolding events. The reading reveals that the characters act upon sudden affective reactions which they can hardly control. 2020-01-01T00:00:00Z http://hdl.handle.net/11320/10118 Tytuł: Norwid rubaszno-transcendentalny. Głos w sprawie intertekstualności „A Dorio ad Phrygium” Autorzy: Samsel, Karol Abstrakt: The article revises the existing critical discussion concerning the intertextuality of Cyprian Norwid’s poem “A Dorio ad Phrygium”. The author of the article demonstrates that the piece can be interpreted both from the perspective of the old-Polish intertextuality (his hypothesis concerns Norwid’s inspirational address “from Kochanowski to Rej”) as well as through “self-scrutinizing gestures” of the poet himself, who uses the intertext to refer to his own poetry. By reading the equivocal initial part of the poem, the author traces Norwid’s intertextual affinity with Rabelais, Whitman or Rubens and points to the bawdy and transcendental nature of the work. These tropes explain the earlier radical readings of the poem by Wiesław Rzońca (deconstruction) or Krzysztof Cieślik (anthropology of Ruth Benedict or Clifford Geertz). While keeping these considerations in mind, the author of the article maintains, above all, the inter-textual perspective. The final part of the article juxtaposes the depiction of Serionice from “A Dorio ad Phrygium” with the Dublin of Ulysses and asserts that in both the topography is characteristically multidimensional (early modernist period) and relativistic (late modernist period) in its socio-cultural representation. 2020-01-01T00:00:00Z