DSpace Kolekcja:http://hdl.handle.net/11320/89112024-03-28T21:56:09Z2024-03-28T21:56:09Z„Wszystkość nadciąga...” O Gomulickiego edycji kompletnej Pism Norwida – kilka uwagChlebowski, Piotrhttp://hdl.handle.net/11320/89612020-03-19T09:55:26Z2019-01-01T00:00:00ZTytuł: „Wszystkość nadciąga...” O Gomulickiego edycji kompletnej Pism Norwida – kilka uwag
Autorzy: Chlebowski, Piotr
Abstrakt: The article attempts to present in a synthetic way (also in the axiological aspect) the editorial work of Juliusz Wiktor Gomulicki. The editions of Norwid’s ouvre prepared by Gomulicki, especially the first complete edition of the poet’s writings, were published mainly in the years 1944–1989. Undoubtedly, Gomulicki’s greatest editorial success was the full coverage of Norwid’s writings. However, there were also some flaws, such as the excessive “biographisation” of his editorial commentaries, erroneous readings and peculiar, in the literary sense, interpretations. Furthermore, Gomulicki marginalised Norwid’s activity in the area of plastic arts (cf. his lithograph Solo). Also his genological classifications and categorisations, which had a great influence on the layout and form of the corpus of Norwid’s writings, raise some serious doubts. Finally, it is also impossible to recognize the critical and scientific character of this publishing endeavour, which Gomulicki willingly and constantly stressed.2019-01-01T00:00:00ZObraz Podlasia w reportażu Jutro spadną gromyOmüller, Majka Aleksandrahttp://hdl.handle.net/11320/89582020-03-18T13:25:42Z2019-01-01T00:00:00ZTytuł: Obraz Podlasia w reportażu Jutro spadną gromy
Autorzy: Omüller, Majka Aleksandra
Abstrakt: The article analyzes the depiction of Podlasie in the literary reportage Jutro spadną gromy by Bartosz Jastrzębski, Jędrzej Morawiecki and Maciej Skawiński. The author concentrates on the authorial voice and the professional background of the writers, emphasizing in particular the photographic narrative of the place created by Maciej Skawiński. The article also discusses the image of Podlasie and its capital city – Białystok.2019-01-01T00:00:00ZSońka Ignacego Karpowicza w kontekście wybranych koncepcji feminizmu postmodernistycznegoZawojska, Gabrielahttp://hdl.handle.net/11320/89572020-03-18T12:59:51Z2019-01-01T00:00:00ZTytuł: Sońka Ignacego Karpowicza w kontekście wybranych koncepcji feminizmu postmodernistycznego
Autorzy: Zawojska, Gabriela
Abstrakt: The article’s interpretation of Sońka by Ignacy Karpowicz centres on the construction of the eponymous character. The author of the article analyzes the character’s identity, drawing from the postmodern feminist critique. Especially useful is the concept of nomadism introduced by Rosi Braidotti. Another key idea is the proposal by Adriana Cavarero about the functions of relation and narration in building female identity. The author emphasizes the significance of the body and bodily experience in the creation of the feminine self.2019-01-01T00:00:00ZWilk Marka Hłaski, czyli Młoda Polska zakamuflowana (ukryte nawiązania do prozy Żeromskiego i Reymonta)Białek, Aleksandrahttp://hdl.handle.net/11320/89542020-03-18T10:54:21Z2019-01-01T00:00:00ZTytuł: Wilk Marka Hłaski, czyli Młoda Polska zakamuflowana (ukryte nawiązania do prozy Żeromskiego i Reymonta)
Autorzy: Białek, Aleksandra
Abstrakt: This article analyzes the novel Wilk (English “wolf”), which was written by Marek Hłasko, discovered by Radosław Młynarczyk, and then published only in 2015. The novel depicts the lives of the residents of a Warsaw district, Marymont during the interwar period. The analysis of this text by young Hłasko sheds new light on the current academic criticism of the writer’s works, and shows – sometimes indirectly – his inspiration with the literary representatives of Young Poland – Stefan Żeromski and Władysław Reymont. The discovery of the literary camouflage used by the writer discloses the following components of the Young Poland period: sensitivity to the beauty of melody and image, lyrical description and the question of rapid civilization changes.
Opis: Większość tez tego artykułu została przeze mnie zaprezentowana i szerzej udokumentowana w pracy magisterskiej: Harmonia złodziejska. Muzyczność „Wilka” i innych wczesnych utworów Marka Hłaski wobec prozy Stefana Żeromskiego i Władysława Reymonta, napisanej pod kierunkiem prof. dra hab. Radosława Okulicz-Kozaryna.2019-01-01T00:00:00Z