http://hdl.handle.net/11320/8841 2026-06-07T14:23:15Z 2026-06-07T14:23:15Z Mogielnicki, Igor http://hdl.handle.net/11320/19288 2025-11-20T08:05:42Z 2025-01-01T00:00:00Z

Tytuł: Wspólnota fanowska na przykładzie Bastionu Polskich Fanów Star Wars Autorzy: Mogielnicki, Igor Abstrakt: This article explores the concept of fan communities within participatory culture, using the example of the Bastion of the Polish Star Wars Fans. The purpose is to understand how this particular community realises the model of participatory culture by examining how the fans engage with the Star Wars series. The analysis of posts on the community’s website reveals two groups of fans: affirmative and creative. Affirmative fans primarily engage in discussions, criticism, and analysis of Star Wars, as well as in collecting related items. On the other hand, creative fans not only discuss the series, but also create their own works such as films, graphics, and stories based on it. This highlights the different ways in which fans interact with the cultural text and establish social relationships with others who share their interests.

2025-01-01T00:00:00Z Kostaszuk-Romanowska, Monika http://hdl.handle.net/11320/19252 2025-11-14T12:03:26Z 2025-01-01T00:00:00Z

Tytuł: „Teatr, który się wtrąca” – przestrzenie dialogu/starcia w polskim teatrze współczesnym Autorzy: Kostaszuk-Romanowska, Monika Abstrakt: The maxim quoted in the title was coined by Zygmunt Hübner, the patron of the Powszechny Theatre in Warsaw, and later adopted by the Theatre itself as both its programmatic principle and promotional slogan. The paper uses the formula to describe the engaged theatre trend – very distinct today – i.e. the theatre that addresses pressing political and social issues. By examining selected productions, the author examines the engaged theatre in three areas: ideological, artistic, and social (these categories also structure the composition of this article). The “conceptual space” is shaped by the theatre makers’ ideological concepts actualised in their stage expressions, which guide the selection of themes and the questions posed to the audience. The “artistic space” is established by the theatrical works themselves and the staging strategies used in them. The “public debate space” is created by both intentional and unauthorised actions of the performance creators that involve the plays in discussions beyond the theatrical walls. Thus, the paper examines the “political dimension” of the contemporary Polish theatre as a field of art, the “political dimension” that manifests in its intricate entanglement with culture, social life, and politics

2025-01-01T00:00:00Z Cebula, Łukasz http://hdl.handle.net/11320/19251 2025-11-14T11:44:24Z 2025-01-01T00:00:00Z

Tytuł: Adriaen Brouwer i recepcja naukowa jego dzieł w powojennej i współczesnej Polsce Autorzy: Cebula, Łukasz Abstrakt: The article is devoted to the problem of the Polish scholarly reception of the paintings of Adriaen Brouwer, a representative of the so-called “lowlife” painting practised in the seventeenth-century Netherlands and in the South Netherlands. It analyses the issues of the conditions and particularities of the interpretations created in Central and Eastern Europe in the 20th century. The text is thus an attempt at a scientific revival of the Polish interpretative tradition of this art, which has been largely forgotten and is rarely referred to in the contemporary scholar reflection on it. Opis: Artykuł powstał na podstawie rozdziału rozprawy doktorskiej napisanej przez autora pod opieką prof. dr. hab. Krzysztofa Moraczewskiego.

2025-01-01T00:00:00Z Adamski, Tomasz http://hdl.handle.net/11320/19250 2025-11-14T11:14:21Z 2025-01-01T00:00:00Z

Tytuł: Palimpsesty przestrzeni, czyli o potrzebie innych map. Przypadek filmowego spaceru edukacyjnego Autorzy: Adamski, Tomasz Abstrakt: The article explores urban space as a palimpsest in which traces of the past—particularly the Jewish heritage of Białystok—are obscured, erased, or intangible. Drawing on the co-author’s project The Dreamed History of Cinema in Podlasie, it proposes the creation of a “cinematic mental map” as a basis for an educational film walk. This map does not reflect the city’s geographical layout but rather its layers of memory, emotion, and narrative tied to specific figures and cinematic events. The paper reflects on the map as a storytelling tool and on the memory landscape as a cultural construct. The film walk becomes a ritualised practice of reintroducing absent histories into the contemporary urban space through imagination, knowledge, and storytelling.

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