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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/3270" />
  <subtitle />
  <id>http://hdl.handle.net/11320/3270</id>
  <updated>2026-06-01T14:17:20Z</updated>
  <dc:date>2026-06-01T14:17:20Z</dc:date>
  <entry>
    <title>Nieradosne gry kulturowej dekonstrukcji. Tlen Iwana Wyrypajewa</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/3302" />
    <author>
      <name>Biegluk-Leś, Weronika</name>
    </author>
    <id>http://hdl.handle.net/11320/3302</id>
    <updated>2021-06-28T11:52:09Z</updated>
    <published>2014-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Nieradosne gry kulturowej dekonstrukcji. Tlen Iwana Wyrypajewa
Autorzy: Biegluk-Leś, Weronika
Abstrakt: "Tlen" [Oxygen] by Ivan Vyrypaev is a multi-plane text with a successful&#xD;
marriage of universality and topicality and local colors. The thematic layer&#xD;
of the text is made by both the image of the modern world disturbed by&#xD;
conflicts as well as the image of the post-Soviet Russia. The provocative&#xD;
deconstruction of the biblical rhetoric exposes an axiological chaos and&#xD;
epistemological loss of the human, and the incessant reinterpretation of&#xD;
notions and judgments becomes a gesture of description and cognition of&#xD;
the world.</summary>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Wypisy z ksiąg użytecznych jako wypowiedź programowa Czesława Miłosza</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/3301" />
    <author>
      <name>Partyka, Jacek</name>
    </author>
    <id>http://hdl.handle.net/11320/3301</id>
    <updated>2021-06-28T11:49:36Z</updated>
    <published>2014-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Wypisy z ksiąg użytecznych jako wypowiedź programowa Czesława Miłosza
Autorzy: Partyka, Jacek
Abstrakt: The purpose of this article is to reconsider Czesław Miłosz’s two&#xD;
anthologies of poetry, "Wypisy z ksiąg użytecznych" (1994) and its counterpart&#xD;
in the English language "A Book of Luminous Things" (1996), as metapoetic&#xD;
reflections on the obligations of contemporary poetry. In particular, it&#xD;
highlights the nature of Miłosz’s ideological contention with Wallace&#xD;
Stevens and Richard Rorty.</summary>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Labirynt jako przestrzeń mityczna w Biegunach Olgi Tokarczuk</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/3300" />
    <author>
      <name>Larenta, Anna</name>
    </author>
    <id>http://hdl.handle.net/11320/3300</id>
    <updated>2021-06-28T11:46:47Z</updated>
    <published>2014-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Labirynt jako przestrzeń mityczna w Biegunach Olgi Tokarczuk
Autorzy: Larenta, Anna
Abstrakt: This article is an analysis of Olga Tokarczuk’s novel "Bieguni", the&#xD;
main subject of which is movement. Interpretation of the book aims at&#xD;
demonstrating that the image of labyrinth operates in Olga Tokarczuk’s&#xD;
text as a literary motif or “labyrinthness represented” and as “labyrinthness&#xD;
representing” organizing the structure of the work on many planes.</summary>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Przeciw śmierci. Liryka Justyny Bargielskiej</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/3299" />
    <author>
      <name>Czyżak, Agnieszka</name>
    </author>
    <id>http://hdl.handle.net/11320/3299</id>
    <updated>2021-06-28T11:43:53Z</updated>
    <published>2014-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Przeciw śmierci. Liryka Justyny Bargielskiej
Autorzy: Czyżak, Agnieszka
Abstrakt: This article contains reflections on the most important themes of Justyna&#xD;
Bargielska’s lyrics: death, mortality and loss. The peculiar compulsion&#xD;
of creating poems centered around thanatologic motifs stems from the&#xD;
poet’s biographic experience, and her lyrics very often constitutes an&#xD;
expression, subversive and iconoclastic, of the female experiencing mourning.&#xD;
Poetry turns out to be a value contrasted with death, but its effect&#xD;
facilitating reconciliation with the inevitability of the end has a dimension&#xD;
fragmentary, conditional and limited in time, which forces us to take further&#xD;
efforts towards the consciously taken job of “creating against death”.</summary>
    <dc:date>2014-01-01T00:00:00Z</dc:date>
  </entry>
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