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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/20129" />
  <subtitle />
  <id>http://hdl.handle.net/11320/20129</id>
  <updated>2026-06-14T22:16:22Z</updated>
  <dc:date>2026-06-14T22:16:22Z</dc:date>
  <entry>
    <title>Reviewers</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/20150" />
    <author>
      <name />
    </author>
    <id>http://hdl.handle.net/11320/20150</id>
    <updated>2026-04-22T08:51:46Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Reviewers</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Correlates of Self-Assessed Creativity</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/20149" />
    <author>
      <name>Furnham, Adrian</name>
    </author>
    <id>http://hdl.handle.net/11320/20149</id>
    <updated>2026-04-22T08:41:25Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Correlates of Self-Assessed Creativity
Autorzy: Furnham, Adrian
Abstrakt: The aim of this study was to examine demographic, ideological, and personality trait correlates of self-assessed creativity. A large group (N = 1,299) of adults estimated their creativity score on a 100-point scale. This rating was related to participants’ demographics (sex, age, education), ideology (religious and political beliefs), self-confidence, and six personality traits. The regression indicated that those who thought of themselves as more creative were more optimistic, higher on trait Curious (Open), but lower on trait Adjustment (low Neuroticism) and trait Competitive (low Agreeableness), and had higher selfesteem. The status of self-assessed/estimated creativity is discussed alongside limitations and recommendations for future research.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Dyadic Parent-Child Creative Activities and Early Childhood Resilience: Audio-recordings   and Home Activities as Methodological Propositions</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/20148" />
    <author>
      <name>Verger, Nicolas B.</name>
    </author>
    <author>
      <name>Roberts, Julie</name>
    </author>
    <author>
      <name>Guiller, Jane</name>
    </author>
    <author>
      <name>McAloney-Kocaman, Kareena</name>
    </author>
    <id>http://hdl.handle.net/11320/20148</id>
    <updated>2026-04-22T08:04:28Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Dyadic Parent-Child Creative Activities and Early Childhood Resilience: Audio-recordings   and Home Activities as Methodological Propositions
Autorzy: Verger, Nicolas B.; Roberts, Julie; Guiller, Jane; McAloney-Kocaman, Kareena
Abstrakt: This commentary invites creativity researchers to address an area that, to date, has received little attention: the effects of dyadic creative activities on early childhood resilience. There is, indeed, a growing body of work on how creative behaviour can contribute to resilience in older children, adolescents, and adults. There is less research on this topic for populations of children aged 3 to 6 years. Yet, young children are particularly dependent upon the bonds they form with their caregivers, notably their parents. The quality of the ties they maintain with them can promote, or on the contrary hinder, their resilience. After presenting the need to foster resilience among young children through dyadic creative activities, the commentary proposes audio recording as a method of investigating this phenomenon. It presents perspectives on the analysis of momentary processes. It concludes with perspectives creative activities at home that researchers can propose to parents and children to address their effects on young children’s resilience.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Examining the Role of Aesthetic Experiences in Self-Realization and Self-Transcendence: A Thematic Analysis</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/20145" />
    <author>
      <name>Magon, Rayan</name>
    </author>
    <author>
      <name>Cupchik, Gerald</name>
    </author>
    <id>http://hdl.handle.net/11320/20145</id>
    <updated>2026-04-22T07:01:14Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Examining the Role of Aesthetic Experiences in Self-Realization and Self-Transcendence: A Thematic Analysis
Autorzy: Magon, Rayan; Cupchik, Gerald
Abstrakt: Numerous scholars, philosophers, and experts in aesthetics have underscored the profound significance of a life enriched by the presence of beauty. Consequently, the appreciation of aesthetic experiences is considered pivotal for achieving self-discovery and self-transcendence (Howell et al. 2017). Despite theoretical prominence, limited qualitative research has been conducted on this topic. To address this gap in research, this study’s objective emphasized two questions guiding the inquiry; What is the role of aesthetic encounters in aiding self-realization or individuation? and, how do these experiences foster self-transcendence? A thematic analysis was performed on the online interviews conducted (N=25), and their results revealed seven themes pertaining to self-realization: a) Losing Yourself to Find Yourself; b) Relatability and Self-Reflection in Art; c) Identity as a Collection of Skills; d) Art as a Medium for Self-Expression and Acknowledgment; e) Aesthetic Genres and Taste as Identity; f) Belonging and Social Identity through Art; and g) Personal Interests and Choices &#xD;
in Artistic Consumption. Furthermore, seven themes for the second research question of self-transcendence were also discovered: a) Mother Nature’s Beauty; b) Intense, Passionate, and Overwhelming Experiences of Heightened Consciousness; c) Sacred Symbolism, Archetypal Imagery, and the Collective Unconscious; d) Collective Effervescence, Social Connection, and Shared Meaning; e) The ‘Profound’ Found in the Mundane; f) Feelings of Spiritual Elevation and Wellbeing; and g) Self-Referential Meaning-Making through Art. These findings evidenced the transformative potential of aesthetic experiences, shedding light on the facets of personal growth and meaning that individuals derive from such encounters.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
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