http://hdl.handle.net/11320/200 2026-09-03T20:04:57Z 2026-09-03T20:04:57Z Baczewska-Murdzek, Agnieszka http://hdl.handle.net/11320/20886 2026-09-03T13:26:07Z 2009-01-01T00:00:00Z

Tytuł: Z pisarskiego oddalenia Władimira Nabokowa spojrzenie na Rosję. Rosja - dar pamięci Autorzy: Baczewska-Murdzek, Agnieszka Abstrakt: The purpose of this paper is to present how Nabokow’s memories revive the picture of his lost homeland. The detailed analysis of his liter ary works written in Russian shows that in reality, despite a common belief, the writer does not dream that one day he will return to the places he was forced to leave in the past. In fact, thanks to his creative imagination Nabokow finds the only Russia he misses in himself.

2009-01-01T00:00:00Z Arciszewska, Katarzyna http://hdl.handle.net/11320/20885 2026-09-03T13:21:14Z 2009-01-01T00:00:00Z

Tytuł: Wampiryczny Akunin - Historie cmentarne (Кладбйіценскйе ucmopuu) Autorzy: Arciszewska, Katarzyna Abstrakt: The article shows the themes of the book of short stories Kladbishchenskije istorii (Кладбй'іценскйе ucmopuu) stemming from the Boris Akunin’s (Grigory Shalvovich Chkhartishvili’s) fascination with the cemeteries and their direct connotations of life and death. Akunin presents six world necropoleis (in Moscow, London, Paris, Yokohama, New York and Jerusalem) dedicating to each of them two texts one written by Chkhartishvili and relating to the philosophical and existential spaee of the cemetery and the other one by Akunin a short story corresponding through its mood with the character of each of the cemeteries. This article aims as well at showing the peculiarities of the vampiric characters which occur in majority of the short stories and are based on the famous vampiric characters such as classical yampire, aristocratic vampire, yampiric lover, femme fatale.

2009-01-01T00:00:00Z Бароўка, Ванда http://hdl.handle.net/11320/20883 2026-09-03T10:49:50Z 2005-01-01T00:00:00Z

Tytuł: Мастацкі метад і этна-эстэтычны кантэкст літаратурнага твора (на матэрыяле беларускай прозы XX стагоддзя) Autorzy: Бароўка, Ванда Abstrakt: The paper deals with the relations between the art method and the ethno-aesthetic context of the literary work. The author affirms that using of the art ethnographism in the Belarusian prose of the XX century was conditioned by the social-cultural situation. The representatives of the realistic, romantic methods, modernistic and post-modernistic fashion of writing a lot of attention paid to the reflection of the Belarusian life and characters. In the literary works of realistic Belarusian authors ethno-aesthetic context represents the national world, bodies circumstances and characters, in the romantic ones - characterize mainly the at- mosphere of the national life in it’s diachrony, in the modernistic ones - fulfilled the sign function, and in the post-modernistic texts - caricature the most popular topics, sorts and forms of the national literatureę.

2005-01-01T00:00:00Z Стральцова, Вераніка http://hdl.handle.net/11320/20882 2026-09-03T10:17:46Z 2005-01-01T00:00:00Z

Tytuł: Мастацка-псіхалагічная адметнасць дакументальных творау Святланы Алексіевіч Autorzy: Стральцова, Вераніка Abstrakt: Dwie dokumentalne opowieści S. Aleksijewicz (Wojna niekobiecą ma twarz - z okresu Wielkiej wojny ojczyźnianej, widzianej oczyma jej uczestników, oraz Cynkowi chłopcy - z wojny afgańskiej) stanowią wyjątkowo wartościową podstawę dla teoretycznych uogólnień dotyczących nowych korelacji faktu i dokumentu z rzeczywistością literacką. Analizowany jest problem artystyczności faktu, odpowiedniej jego interpretacji, funkcji i sposobu istnienia w dziele literackim. Kluczowym pojęciem staje się „etyka wojny”. Wiele uwagi poświęca się jednostce na wojnie, psychologii percepcji wojennych wydarzeń, ekstremalnym przeżyciom.

2005-01-01T00:00:00Z