http://hdl.handle.net/11320/18914 2026-06-10T09:37:53Z 2026-06-10T09:37:53Z Kornilieva, Liliia http://hdl.handle.net/11320/18937 2025-10-06T07:24:43Z 2022-01-01T00:00:00Z

Tytuł: Cultural code of the Ukrainian Nation reflected in the language as the main source of imagery in the literary works by Ol’ha Kobylians’ka Autorzy: Kornilieva, Liliia Abstrakt: Ukrainian modernist literature is largely known and admired for its unique imagery and themes, symbols and mythology, nonlinear narratives, stream of consciousness, writers’ interest in the irrational and absurd, the variety of literary devices and forms of expression used, etc. The metatext and symbolic images created by Ukrainian authors are often analysed from the point of view of individual artistic choices, largely depending on aesthetic preferences, family and professional backgrounds, experiences, political views, etc. of every single author. At the same time the multi-faceted cultural matrix of the Ukrainian language that directly influences any writer speaking it was traditionally underrated or diminished. Reading Ol’haKobylians’ka’s works, one may say that her artistic endeavors are deeplyrooted in the traditional Ukrainian culture with its set of values and popular beliefs.

2022-01-01T00:00:00Z Малиновський, Артур http://hdl.handle.net/11320/18935 2025-10-06T07:05:49Z 2022-01-01T00:00:00Z

Tytuł: Харківський текст української літератури в контексті становлення модерної нації Autorzy: Малиновський, Артур Abstrakt: The article discusses one of the “Kharkiv” texts by H. Kvitka-Osnovyanenko “Tatar raids”. The problem of the front as a clear embodiment of ethnocultural, geopolitical, territorial frontier, which is relevant from the point of view of national identity and formation of Ukrainian statehood, is considered. The purpose of the study is to identify the mechanism of combining the category of historical memory with the reconstruction of the front, interethnic border and ethnocultural diversity of the Slobozhansky region. The research methodology is related to the substantiation of the concept of frontal text as a cross-cultural formation on the border of anthropology, geopoetics, postcolonial theory, etc. At the same time, the frontier appears to be a very mobile category, associated with the advance into the steppe, the development of the Wild Field, the transformation of natural settlements into civilizational oases. The scientific novelty lies in the fact that the connection between the spatial boundary and the text structure was traced for the first time, and a conclusion was reached about the possibility of categorizing the so-called frontier-type text. This type of correlation between the object and subject plans creates a special tension, a kind of “flicker” of borders, a zone of tangible sensitivity, which the reader learns through the prism of historical memory, recorded in oral or written traditions of national narratives. The focus is on shaping the borders of Slobozhanshchyna as a polyethnic region of Ukraine, which is characterized by signs of cultural openness, semantic productivity, dialogicity. The importance of nomadism as a specific concept of ethnocultural frontier and a powerful Eurasian factor in Ukrainian history is emphasized. The influence of the nomadic national-ethnic component on the formation of the Ukrainian mentality is traced, the mechanisms of crossing borders as extremely productive cultural actions from the point of view of state formation are clarified. The concept of cultural crucible as a cultural and ethnic mixture, reproduced within the framework of the art of the first half of the 19th century, was introduced. The problem of frontier is considered in the interdisciplinary plane, therefore, a person of the liminal type or a certain chronological interval, a segment of life are revealed more fully from the point of view of national psychology, history, socio-cultural circumstances.

2022-01-01T00:00:00Z Поліщук, Ярослав http://hdl.handle.net/11320/18934 2025-10-06T06:41:43Z 2022-01-01T00:00:00Z

Tytuł: Поетика світла в новелістиці Михайла Коцюбинського Autorzy: Поліщук, Ярослав Abstrakt: Mykhailo Kotsiubynsky’s innovative novellas are distinguished by his original colors which gave the appropriate response to the European trend, realized in the “visualization madness”. The images created by the writer represent achievements of visual culture appealing by their effects of synesthesia and are suitable for recoding within other fields of art, different from literature. Hence the numerous inspirations with Kotsiubynsky’s works realized in painting, cinema, music or theater. The novelty in the field of Mykhailo Kotsiubynsky’s poetics lies in the combination of three factors. First, it is a habit of perceiving the world through visual images: already as a child, Kotsiubynsky loved juicy and delicate colors, and associated his emotions and feelings with a certain visual background. Second, color and light play a key role in the presentation of the internal state and the sensitivity of his characters. Third, Mykhailo Kotsiubynsky does not reduce visuality to the context of landscape, although he loves landscape descriptions. It also includes musical effects, dance dynamics and rhythm, the delight of scents and flavors, etc.

2022-01-01T00:00:00Z Назарець, Віталій http://hdl.handle.net/11320/18932 2025-10-03T11:42:08Z 2022-01-01T00:00:00Z

Tytuł: Теоретичні аспекти дослідження модернізму: стратегія та напрями літературознавчих рецепцій Autorzy: Назарець, Віталій Abstrakt: This paper presents systematization and generalization of theoretical receptions of the concept “Modernism”, to proceed to study into the basic types of literary strategies of its comprehension and scientific interpretation. The importance of the scientific issues addressed in the article is stated, given the debatable nature of “Modernism” and the absence of a consolidated concept in modern literary criticism, to outline the paradigmatic foundations of the artistic phenomenon of modernism. It is noted that the debatable aspect of the receptions of modernism is present in the first attempts to determine its theoretical essence in general, and its individual dominant features. While the initial theoretical receptions of the concept of “Modernism” were colored by one or another form of its ideological evaluation, the next stages of literary research into this movement are characterized by a more balanced and scientifically objective assessment. At the same time, the discussion on both the main, fundamental and individual aspects of the artistic phenomenon of modernism in modern literary criticism continues to this day. In the polemical circle of issues concerning the theoretical reception of modernism, the following issues have been singled out as the most controversial: 1) delineation of the chronological boundaries of modernism; 2) its socio-cultural basis; 3) the relationship of modernism with previous literary traditions; 4) contemporary literary process; 5) further literary development.

2022-01-01T00:00:00Z