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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/1857" />
  <subtitle />
  <id>http://hdl.handle.net/11320/1857</id>
  <updated>2026-06-14T23:43:30Z</updated>
  <dc:date>2026-06-14T23:43:30Z</dc:date>
  <entry>
    <title>Listy zza oceanu. W 50. rocznicę śmierci Czesława Straszewicza – autora "Turystów z bocianich gniazd"</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/2021" />
    <author>
      <name>Wejs-Milewska, Violetta</name>
    </author>
    <id>http://hdl.handle.net/11320/2021</id>
    <updated>2021-03-19T11:08:59Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Listy zza oceanu. W 50. rocznicę śmierci Czesława Straszewicza – autora "Turystów z bocianich gniazd"
Autorzy: Wejs-Milewska, Violetta
Abstrakt: The fiftieth death anniversary of Czesław Straszewicz (1904–1963)&#xD;
makes a perfect opportunity to present the writers archival epistolary&#xD;
legacy from the emigration period, so far unpublished. The addressee of&#xD;
most of the writer’s letters is Jan Nowak-Jeziorański, the director of the&#xD;
Polish Section of Radio Free Europe as well as a few other workers of&#xD;
this radio station. This body of letters is complemented by letters of the&#xD;
writer’s wife, Ewa Roman-Straszewicz to Tadeusz Zawadzki and Nowak-Jeziorański,&#xD;
written after the death of the author of Turyści z bocianich gniazd&#xD;
[Tourists from stork nests].</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Zdziwienie zamiast krzyku. O opowiadaniach Idy Fink</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/2020" />
    <author>
      <name>Sokołowska, Katarzyna</name>
    </author>
    <id>http://hdl.handle.net/11320/2020</id>
    <updated>2021-03-19T10:59:18Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Zdziwienie zamiast krzyku. O opowiadaniach Idy Fink
Autorzy: Sokołowska, Katarzyna
Abstrakt: The subject of analysis in the article is Ida Fink’s stories considered&#xD;
in the context of the poetics of minimalism. The author posits that a key&#xD;
function in this writer’s work is fulfilled by a strategy of astonishment,&#xD;
which allows us to speak about Holocaust in a hushed voice.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Przestrzenie Doroty Masłowskiej</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/2019" />
    <author>
      <name>Czyżak, Agnieszka</name>
    </author>
    <id>http://hdl.handle.net/11320/2019</id>
    <updated>2021-03-19T10:55:43Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Przestrzenie Doroty Masłowskiej
Autorzy: Czyżak, Agnieszka
Abstrakt: The objective of the article is to analyze different variants of creating&#xD;
spaces in Dorota Masłowska’s prose. It is an interpretation of the evolution&#xD;
of the author’s strategies of diagnosing the present, also performed through&#xD;
penetrating the space understood as a collection of cultural practices.&#xD;
The acceleration of the process of civilization changes is simultaneously&#xD;
a subject of Masłowska’s diagnoses as well as a factor determining the&#xD;
shape and destination of her creative accomplishments.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Nowy katastrofizm. O poemacie "Trzecia część" Krzysztofa Koehlera</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/2018" />
    <author>
      <name>Woźniak-Łabieniec, Marzena</name>
    </author>
    <id>http://hdl.handle.net/11320/2018</id>
    <updated>2021-03-19T10:53:47Z</updated>
    <published>2013-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Nowy katastrofizm. O poemacie "Trzecia część" Krzysztofa Koehlera
Autorzy: Woźniak-Łabieniec, Marzena
Abstrakt: In the classical current of Polish lyrical poetry, formed after 1989, strong&#xD;
catastrophic elements have recently emerged. This article is an attempt&#xD;
at demonstrating how catastrophism has become the crucial construction&#xD;
principle of the poem Trzecia część [Third part] of Krzysztof Koehler, one&#xD;
of the most important classicizing authors of new lyrical poetry. Building&#xD;
a catastrophic vision of the modern world, the poet-classicist reaches for&#xD;
tradition, refers to T.S. Eliot’s way of representation and conducts a hidden&#xD;
dialogue with the just post-war poetry of Czesław Miłosz.</summary>
    <dc:date>2013-01-01T00:00:00Z</dc:date>
  </entry>
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