http://hdl.handle.net/11320/17198 2026-03-13T22:33:08Z 2026-03-13T22:33:08Z Chudoba, Marcin http://hdl.handle.net/11320/17241 2024-09-17T08:04:03Z 2024-01-01T00:00:00Z

Tytuł: Wokół definicji i historii mangi Autorzy: Chudoba, Marcin Abstrakt: The article discusses the history of Japanese manga, covering the period from the 6th century AD to the present day, and its relationship to the art of the Land of the Cherry Blossoms. In the course of the discussion, attention is drawn to the exaggerated refinement of the roots of pictorial stories among their researchers. The article also demonstrates that the factors most influential on the birth of manga were the rise of the press, exposure to Europeans in the 19th century, occupation of Japan by the United States and American pop culture. The paper further discusses the etymology of the word manga and pays attention to its ambiguity.

2024-01-01T00:00:00Z Sikorska, Monika http://hdl.handle.net/11320/17240 2024-09-17T07:12:30Z 2024-01-01T00:00:00Z

Tytuł: Gra (z) dyskursami. Obnażenie mechanizmów funkcjonowania władzy ideologicznej w Czarnym słońcu Jakuba Żulczyka Autorzy: Sikorska, Monika Abstrakt: This article is a critical analysis of Jakub Żulczyk’s novel Czarne słońce [Black sun], which is a dystopian image of social reality dominated by ideological discourses. The analysis concerns the mechanisms of power shown in the novel: constructing its relationships and reproducing them. This work can be read as a social hyperbole that reveals the hidden lies and manipulations and also unveils the process of creating and controlling the subjects of ideological power. Czarne słońce also demonstrates how ideological discourse can become a source of repressive patterns and stereotypes and a trigger for violence, social stigmatization and exclusion. The author of the novel created a grotesque and ironic world which shows the dangers of dividing and structuring societies. This subsequently leads to their polarization and the building of hostility towards otherness.

2024-01-01T00:00:00Z Prokop, Adam R. http://hdl.handle.net/11320/17239 2024-09-17T06:36:41Z 2024-01-01T00:00:00Z

Tytuł: „Akt strzelisty głębokiego oddechu”. Mistyka Herberta pomiędzy poezją a milczeniem Autorzy: Prokop, Adam R. Abstrakt: The article begins with the theory of the signifying silence proposed by Polish philosopher Izydora Dąmbska (1904–1988), through interpretation of the defined silence regarding God by Henryk Elzenberg (1887–1967), to arrive at a close reading of selected works by his apprentice, Zbigniew Herbert (1924–1998): “Zobacz” [See] and “Homilia” [Homily]. These texts have been interpreted in the context of the previously, and perhaps deliberately, untouched issues relating to the Indefinite, and they have been further confronted with an understanding of Christian apophatic theology. This approach seems justified as its creator is considered to be Dionysius the Areopagite (from the late 5th to early 6th century), who was one of the greatest authorities on the subject of the Supreme for Elzenberg and a source of angelological inspiration for Herbert. The main aim of the paper is to show all these converging perspectives on the subject that escapes verbalisation.

2024-01-01T00:00:00Z Adamowska, Joanna http://hdl.handle.net/11320/17237 2024-09-13T09:54:23Z 2024-01-01T00:00:00Z

Tytuł: „«odkryłem» największego malarza religijnego naszej epoki”. Rouault Herberta Autorzy: Adamowska, Joanna Abstrakt: The essay describes Zbigniew Herbert’s fascination with the biography and creative work of Georges Rouault. The author discusses the essayist texts on the French painter previously published by the poet in the press in the 1950s, as well as an early poem titled “Paysage legendaire” written in 1949, not published during the poet’s lifetime. The ekphrastic description of the elements characteristic for Rouault’s landscape painting presented in the Herbert’s poem is analyzed in the context of biblical symbolism. The author discovers the poet’s strategy of using the ambiguity of biblical symbols to build a poetic interpretation of Rouault’s oeuvre. The essay demonstrates the poet’s transposition of a painter’s sign onto a word, and it offers an insight into Herbert’s vision of the French artist in the changing context of contemporary religious art.

2024-01-01T00:00:00Z