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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/16432" />
  <subtitle />
  <id>http://hdl.handle.net/11320/16432</id>
  <updated>2026-06-20T06:35:00Z</updated>
  <dc:date>2026-06-20T06:35:00Z</dc:date>
  <entry>
    <title>Podróże śladami utworów literackich – doświadczenia turystów</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/16450" />
    <author>
      <name>Korpysz-Wiśniewska, Aleksandra</name>
    </author>
    <author>
      <name>Popecka, Monika</name>
    </author>
    <id>http://hdl.handle.net/11320/16450</id>
    <updated>2024-04-26T07:25:31Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Podróże śladami utworów literackich – doświadczenia turystów
Autorzy: Korpysz-Wiśniewska, Aleksandra; Popecka, Monika
Abstrakt: This article concerns tourism in the footsteps of literary works. Based on a survey and in-depth interviews, it reflects upon the readers’ experiences of places they know from literary narratives. They shared details about, among others, how they prepare for literary travels and how they experience the real place compared to the one described by the writer. In the article, the authors also considered how literary tourism differs from other forms of tourism.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Tekst, czas a przestrzeń – kontinuum relacji. Obraz Zagrzebia i Dubrownika w Księdze podróży Ewliji Czelebiego, Cyklopie Ranka Marinkovicia i sadze Pieśń lodu i ognia George’a R.R. Martina</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/16449" />
    <author>
      <name>Kapusta, Armina</name>
    </author>
    <id>http://hdl.handle.net/11320/16449</id>
    <updated>2024-04-26T07:03:55Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Tekst, czas a przestrzeń – kontinuum relacji. Obraz Zagrzebia i Dubrownika w Księdze podróży Ewliji Czelebiego, Cyklopie Ranka Marinkovicia i sadze Pieśń lodu i ognia George’a R.R. Martina
Autorzy: Kapusta, Armina
Abstrakt: Space, like forms of expression, undergoes constant transformations. One may wonder about their relationships, since both space shapes the text, and text influences the perception of space as well as helps to read and understand its palimpsest, hidden elements. The article addresses the issue of time as read and written in the landscape and urban space. Using literary examples from different periods, it analyzes the presentation of Zagreb and Dubrovnik. It also seeks to point out the differences between the real and literary landscape to discover the topographical objects commemorated in texts in the contemporary urban space. The author wonders whether literature can be a burden for the semiotic landscape. Can it influence the perception of space in such a way that one does not want to see other dimensions of the landscape than those preserved in the texts?</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>„Czekam na siebie z pięknym bukietem kwiatów...”. Autobiograficzny wymiar opowiadania We młynie, we młynie, mój Dobry Panie Sławomira Mrożka</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/16448" />
    <author>
      <name>Sidoruk, Elżbieta</name>
    </author>
    <id>http://hdl.handle.net/11320/16448</id>
    <updated>2024-04-25T12:06:35Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: „Czekam na siebie z pięknym bukietem kwiatów...”. Autobiograficzny wymiar opowiadania We młynie, we młynie, mój Dobry Panie Sławomira Mrożka
Autorzy: Sidoruk, Elżbieta
Abstrakt: This paper proposes an interpretation of Sławomir Mrożek’s short story We młynie, we młynie, mój Dobry Panie [In the mill, in the mill, my Good Lord], written in the first years of the writer’s stay abroad, in the context of his Diary and correspondence. Referring to concepts concerning the relationship between an empirical author and a literary text in terms of tropes/traces, the author argues that this ambiguous parable with an elaborate fantasy-grotesque plot can be read as an attempt to “rework” personal experiences, overtly thematised in correspondence and diary entries, with the ever reocurring motifs of awaiting oneself, living in limbo and a sense of non-existence.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Prowadzenie dziennika obserwacji jako forma pisania biografii zwierząt. Casus Nakarmić wilki Marii Nurowskiej</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/16447" />
    <author>
      <name>Naplocha, Anna</name>
    </author>
    <id>http://hdl.handle.net/11320/16447</id>
    <updated>2024-04-25T11:12:35Z</updated>
    <published>2023-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Prowadzenie dziennika obserwacji jako forma pisania biografii zwierząt. Casus Nakarmić wilki Marii Nurowskiej
Autorzy: Naplocha, Anna
Abstrakt: This article draws form what lies at the confluence of multispecies ethnography and zoonarration. It concerns the biomonitoring research, which includes an animal observation journal analyzed here as a form of animal biographies. Maria Nurowska’s novel Nakarmić wilki [Feeding the Wolves] is presented within the framework of nature-culture, as well as the “third culture,” and a wolf observation journal is presented as an animal life narrative. According to the author of the article, another way of reading the novel is from the zoocritical perspective as it presents the life of a wolf family presented and also contains the elements of ethology, which, in turn, contributes to a deeper reflection on the topic of wolf protection. The wolf is no longer treated as a symbol (and thus left out of history), but is empowered by inclusion and agency.</summary>
    <dc:date>2023-01-01T00:00:00Z</dc:date>
  </entry>
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