http://hdl.handle.net/11320/16350 2026-06-01T17:24:52Z 2026-06-01T17:24:52Z Bogdanowicz, Elżbieta http://hdl.handle.net/11320/16372 2024-07-15T06:16:05Z 2023-01-01T00:00:00Z

Tytuł: XXIII Międzynarodowa i Ogólnopolska Konferencja Onomastyczna „Onomastyka kulturowa” Autorzy: Bogdanowicz, Elżbieta

2023-01-01T00:00:00Z Wąsala, Piotr http://hdl.handle.net/11320/16371 2024-04-12T07:55:12Z 2023-01-01T00:00:00Z

Tytuł: Performatywność płci w filmie Człowiek, który wszystkich zaskoczył Nataszy Mierkułowej i Aleksieja Czupowa Autorzy: Wąsala, Piotr Abstrakt: The article analyses Natasha Merkulova and Aleksey Chupov’s The Man Who Surprised Everyone (2018) in light of the theoretical assumptions of Judith Butler on gender performativity and – in broader terms – performativity itself. The text draws attention to the corporeality of the characters’ bodies, their somatic ways of expression: gestures, facial expressions, posture, and behaviours, but also their clothing and make -up, and their possible meanings, with a particular interest in the transformation taking place within the main character (the huntsman Yegor). The article’s aim is to make an attempt at the investigation and interpretation of the performative and corporeal (often subversive) acts within the film, which influence the perception of the main character by the conservative rural community.

2023-01-01T00:00:00Z Kaźmierczak, Natalia http://hdl.handle.net/11320/16370 2024-04-12T07:04:49Z 2023-01-01T00:00:00Z

Tytuł: Проблема художественности документального кино. На материале фильма Анджея Чарнецкого Крысолов Autorzy: Kaźmierczak, Natalia Abstrakt: The article examines the issue of the relationship between “artistic value” and “documentary” in the film mentioned in the title. The creative reinterpretation of reality, achieved through the purposeful visual organization of the documentary film, is understood as an expression of the director’s authorial position. The author of the article also attempts to identify the aesthetic dominants of A. Charnetsky’s film and demonstrate its semantic significance, which is conveyed through the metaphorization of the reality captured on film.

2023-01-01T00:00:00Z Wasiluk, Joanna http://hdl.handle.net/11320/16369 2024-04-12T06:43:12Z 2023-01-01T00:00:00Z

Tytuł: Фразеологическая картина мира в русских медиатекстах (на материале Газетного корпуса русского языка) Autorzy: Wasiluk, Joanna Abstrakt: The article analyzes the most frequent, popular phraseological units that appear in the National Media Corpus. The aim of the study is to determine the quantitative and qualitative nature of these phraseological units, paying attention to their connotative aspect and modality. As the analysis showed, all phraseological units are characterized by expressiveness, but the connotative aspects of appraisal, emotionality, and expressiveness manifest themselves in different ways. The vast majority have a connotative aspect of appraisal, but negative appraisal prevails. Moreover, it should be noted that most of the analyzed phraseological units have an objective assessment, since their use corresponds to their dictionary meaning.

2023-01-01T00:00:00Z