http://hdl.handle.net/11320/14626 2026-06-01T16:18:26Z 2026-06-01T16:18:26Z Korpysz-Wiśniewska, Aleksandra http://hdl.handle.net/11320/14644 2023-02-13T09:41:52Z 2022-01-01T00:00:00Z

Tytuł: Dom Anny Frank w Amsterdamie – przestrzeń zamknięta jako przestrzeń doświadczeń Autorzy: Korpysz-Wiśniewska, Aleksandra Abstrakt: The Anne Frank house is a very literal and powerful example of a confined space, where numerous and diverse experiences took place and are still taking place. In the first part of the article the author focuses onthe original experiences of Anne Frank during her time in hiding duringthe Second World War, which were recorded in her diary. Nowadays, thesame building hosts the Anne Frank Museum, which is one of the most popular museums in the Netherlands. The author of this article analyses opinions of visitors published on Trip Advisor and notes that the experience of visiting this museum is connected with various strong emotions. This experience is often considered to be unique and one of a kind. On this basis, she suggests that the Anne Frank Museum, and the Secret Annex in particular, can be considered as an experiencescape.

2022-01-01T00:00:00Z Kaczmarek, Jacek Kapusta, Armina http://hdl.handle.net/11320/14642 2023-02-10T11:09:46Z 2022-01-01T00:00:00Z

Tytuł: Rozważania semiotyczne o geopoetyce odwróconej Autorzy: Kaczmarek, Jacek; Kapusta, Armina Abstrakt: The considerations on geopoetics have so far emphasized the assumption that geographical experience determines the foundations for the creation of a literary work. The accepted premises for practicing spaceallowed the so-called topographic turn in the humanities. In the presented research concept, we are heading in a different direction, namely we would like to consider the following formulation: poetics precedes geographical experience. Therefore, we introduce the term reversed geopoetics. We assume that the word shapes the landscape and that it is thecause of spatial determination. We chose a void as the essence of our research, in which we perceive the lack of someone or something and wait for potential events. One can consider “nothing” instead of the ubiquitous “something”. We called this thread of thinking, entering a new epistemological area, “thegeography of absence”. In the considerations presented, we used elements of the semiotics of space.

2022-01-01T00:00:00Z Mazurek, Wojciech http://hdl.handle.net/11320/14641 2023-02-10T10:28:09Z 2022-01-01T00:00:00Z

Tytuł: Zemsta, Schubert i pszczoły. Glosa do Irydiona Zygmunta Krasińskiego Autorzy: Mazurek, Wojciech Abstrakt: This article attempts a new interpretation in the context of Zygmunt Krasiński’s work Irydion(1836) as a whole of the words: “Revenge, then, and forward where the bees buzz”, spoken by Irydion to Simeon of Corinth. Previous interpretative proposals (Schneider, Sinko, Kubacki, Stefanowska) have clarified much, but have not met with full acceptance. The new critical edition of Collected Works of the author of Irydion, reproduces the errors of previous scholars in explaining this exclamation. The new reading introduces the context of – probably known to Krasiński – Gotthilf Heinrich Schubert’s reflections on the bees from Symbolik des Traumes. The German philosopher believed that bees – the depositories of the memory of the “golden age of harmony and concord” – were the revelatorsof the “gospel of the new law”, and that the Latin root of these insects contains the hope of “burying” the present order. The final section of thearticle shows how Iridion manipulates these imaginaries – in Schubert’s view, characteristic of Christian communities – in order to persuade Simeonof Corinth and his chiliastic supporters to participate in a revolution of revenge against Rome.

2022-01-01T00:00:00Z Andrulonis, Krzysztof http://hdl.handle.net/11320/14639 2023-02-10T08:22:17Z 2022-01-01T00:00:00Z

Tytuł: Między kobietą, andreidą a Bogiem. "Ewa jutra" Villiersa de l’Isle-Adama Autorzy: Andrulonis, Krzysztof Abstrakt: The aim of the article is to present various interpretations of the novel written by Auguste Villiers d’Isle-Adam Tomorrow’s Eve, especially those related to its main character – andreid (fr.andréide) in other words an ideal woman. The first part of the discussion reconstructs the history of the possibility of creating an animated female being – This thinking goes back to the roots of European culture, in particular the myth of Pygmalionand Galatea, is associated with the legend of a mechanical girl created by Descartes, and came to be especially popular in the nineteenth-century literature, best illustrated byTomorrow’s Eve, Philosophy, especially the mechanicism of Julien Offray de la Mettrie, was also important in the development of the concept of the artificial man. However, the article points out that the title of his main work, Man a Machine, is often taken too literally. In the analytical discussion that follows, the important fractures revealedin Villiers d’Isle-Adam’s vision of the andreid are pointed out, includingin particular the problem of whether the act was accomplished solely by means of the forces of science or whether it was supernaturalin nature, as well as the significance, in the plot as a whole and especially in the ending, of the presence or absence of God and his justice.

2022-01-01T00:00:00Z