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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/12558" />
  <subtitle />
  <id>http://hdl.handle.net/11320/12558</id>
  <updated>2026-06-01T16:12:59Z</updated>
  <dc:date>2026-06-01T16:12:59Z</dc:date>
  <entry>
    <title>Luteranie i media – twórcza bliźniaczość</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12580" />
    <author>
      <name>Lindner, Jacek</name>
    </author>
    <id>http://hdl.handle.net/11320/12580</id>
    <updated>2022-02-10T09:01:38Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Luteranie i media – twórcza bliźniaczość
Autorzy: Lindner, Jacek
Abstrakt: The author took up in this paper the press of Polish Lutherans after 1945, as well as the presence of Lutherans in media after 1989. As the researcher concludes: „In the autumn of 1989 – July 2016, the Church and the followers of the Evangelical Church of the Augsburg Confession had 160 Internet sites in Poland, and 131 of them belonged to individual parishes. During this period, 53 periodicals appeared, out of which 33 were issued by parishes, 15 were theological, historical or administrative, while 5 titles can be counted as writings for every worshiper, including the Warsaw magazine for youth, ‚Fisza’.”</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Mazurzy i Ełk w Pismach rozproszonych Zygmunta Glogera z lat 1863–1879</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12579" />
    <author>
      <name>Bogusz, Kazimierz</name>
    </author>
    <id>http://hdl.handle.net/11320/12579</id>
    <updated>2022-02-10T09:01:25Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Mazurzy i Ełk w Pismach rozproszonych Zygmunta Glogera z lat 1863–1879
Autorzy: Bogusz, Kazimierz
Abstrakt: The article focuses on Zygmunt Gloger’s relationship to Masuria and Ełk. The material being analyzed relates to Gloger’s articles from 1863-1876, published in the first volume of Gloger’s Pisma rozproszone (Straggled Writings). The author of the article emphasizes that Gloger, by using the term Masurians, refers to Poles colonizing further areas along river valleys. The scope of this colonization is the line of Polishness. Gloger identifies Masuria with the south of the former Duchy of Prussia and with the Mazovian ethnos. In this context, his understanding of the concept of Masuria is close, at least in part, to the understanding of this concept by some of his contemporary German researchers, such as Friedrich Krost.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Listopadowe niedziele w powieściach Mazurów Pruskich</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12578" />
    <author>
      <name>Chojnowski, Zbigniew</name>
    </author>
    <id>http://hdl.handle.net/11320/12578</id>
    <updated>2022-02-09T13:22:53Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Listopadowe niedziele w powieściach Mazurów Pruskich
Autorzy: Chojnowski, Zbigniew
Abstrakt: The paper November Sundays in the Songs of Prussian Masurians presents a Protestant tradition of celebrating the last three weeks of the liturgical year in the Evangelical Church. Masurian songs written for this time refer to death and resurrection, the Judgment and salvation. The general and nameless remembrance of the dead is accompanied by an eschatological perspective consistent with the Bible. Masurian authors formulate in their November poems reflections on the passing and equality of all towards death, placing all hope in Jesus Christ. He is the one who opens the door to salvation. Michał Kajka’s songs belong to those that are most heavily saturated with local colour.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>„A w niedzielę po obiedzie chodził Pan Bóg po tym świecie” – o wizerunku  Boga w mazurskich pieśniach ludowych</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12577" />
    <author>
      <name>Lechocka, Ewelina</name>
    </author>
    <id>http://hdl.handle.net/11320/12577</id>
    <updated>2022-02-09T13:22:41Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: „A w niedzielę po obiedzie chodził Pan Bóg po tym świecie” – o wizerunku  Boga w mazurskich pieśniach ludowych
Autorzy: Lechocka, Ewelina
Abstrakt: The article is an attempt to present the picture of God contained in texts of folk songs from Masuria. The analysis of art pieces collected by Oskar Kolberg confirmed, that image of God is complex and ambiguous and is far different from the stereotype firmly present in common Polish culture. Folk texts expose God’s attributes like omniscience, omnipotence. In God’s power is especially to decide about men mundane existence and most of all to lead men and women relations. Nevertheless important feature is justice, related to God’s personality of a Judge – a steward of sanctions and mercy tai lored to the needs of the folk. The picture of a God is strictly connected with concerns of the people, its needs, aspirations and its specific opinions. The God is close to man, is his guardian, instance where man addresses its requests, regrets and words of worship. This is a god, that people trust and let it decide in most important life matters.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
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