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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/12438" />
  <subtitle />
  <id>http://hdl.handle.net/11320/12438</id>
  <updated>2026-06-01T16:12:33Z</updated>
  <dc:date>2026-06-01T16:12:33Z</dc:date>
  <entry>
    <title>Sprawozdanie z działalności Katedry Teologii  Katolickiej Uniwersytetu w Białymstoku w roku akademickim 2020/2021</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12460" />
    <author>
      <name>Jakoniuk, Leszek Marius</name>
    </author>
    <id>http://hdl.handle.net/11320/12460</id>
    <updated>2022-01-21T12:12:22Z</updated>
    <published>2021-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Sprawozdanie z działalności Katedry Teologii  Katolickiej Uniwersytetu w Białymstoku w roku akademickim 2020/2021
Autorzy: Jakoniuk, Leszek Marius</summary>
    <dc:date>2021-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Crime and Punishment: The Selected Tenets  of the Decalogue in the Polish Television  Series Ojciec Mateusz [Fr. Matthew]</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12459" />
    <author>
      <name>Kisielewska, Alicja</name>
    </author>
    <id>http://hdl.handle.net/11320/12459</id>
    <updated>2022-01-21T12:12:09Z</updated>
    <published>2021-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Crime and Punishment: The Selected Tenets  of the Decalogue in the Polish Television  Series Ojciec Mateusz [Fr. Matthew]
Autorzy: Kisielewska, Alicja
Abstrakt: This article considers whether the popular Polish drama-crime television series Ojciec Mateusz [Father Matthew], which is directed by Maciej Dejczer and has been broadcast on TVP1 since 2008, prompts viewers to reflect on Christian moral norms. This research includes the fields of cultural studies and moral theology. From the point of view of moral theology, the theme of Ojciec Mateusz is the battle between good and evil, the basis of which is the tenets of the Decalogue. This study attempts to answer the questions: Is the religiosity hidden in this series, which does not assume the religiosity of the series’ viewers, evoke religious sentiments among those who believe? And, does the series affect the moral formation of those who do not believe?</summary>
    <dc:date>2021-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Transcendent Images and Semina  Verbi in Carlos Reygadas’ Films</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12458" />
    <author>
      <name>Citko, Ewa Katarzyna</name>
    </author>
    <id>http://hdl.handle.net/11320/12458</id>
    <updated>2022-01-21T12:11:57Z</updated>
    <published>2021-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Transcendent Images and Semina  Verbi in Carlos Reygadas’ Films
Autorzy: Citko, Ewa Katarzyna
Abstrakt: This article is an analytical and interpretive reading of the Mexican film director Carlos Reygadas’ work in light of “semina Verbi” (seeds of the Word). In his films, Reygadas explores the alienation and confusion that man, who has rejected traditional values and faith in God, experiences in the modern world. At the same time and like his characters, Reygadas seeks transcendence and the possibility of spiritual rebirth. His films are not strictly religious, but they do contain faint echoes the Gospel or semina Verbi, meaning “seeds of the Word” that are present in non-Christian cultures and secular works of art. As John Paul II said, the Spirit sows seeds of the Word in different rites and cultures that open them up to the fullness of meaning in Jesus Christ. Viewers can find semina Verbi in different elements of Reygadas’ films, including: the characters’ motivations, aspirations, and actions; the symbolic structure of the film’s space and time; and in the specific narrative style that invites viewers to meditate and contemplate. This Mexican director’s films echo man’s hidden longing for the spiritual world and for union with the sacred, with nature that surrounds him (which is “divinized” in many films), with himself, and with his spirituality that has been lost.An essential element of Reygadas’ work is the pursuit of transcendence understood in a specific way. The director does not seek metaphysical order in his works. Instead, he uncovers the biological and bodily dimensions of the world and recalls the eternal cycle of death and rebirth in nature. This is why transcendence often has a sexual dimension in Reygadas’ films; his characters experience a renewed physical interaction by which they transcend themselves. This type of experience leads the characters from passivity, stagnation, and death to the vitality and life. Reygadas’ characters’ search for metaphysical and spiritual transcendence and their experience of bodily transcendence are motivated and characterized by something similar: the desire to transcend their own limitations and barriers—an experience of contact with the One Who surpasses man, or that which man surpasses. The presence of images of transcendence and hidden semina Verbi are important determinants of Reygadas’ creative works. The cinematic reality that he creates is a distant sign of a higher order established by something other than man, and, yet, it is an order over which man has an overwhelming influence.</summary>
    <dc:date>2021-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Christian Attitude Toward  Physical Death Based on Gregory the  Great’s Homilies on the Gospels</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/12457" />
    <author>
      <name>Bielecki, Paweł</name>
    </author>
    <id>http://hdl.handle.net/11320/12457</id>
    <updated>2022-01-21T12:11:45Z</updated>
    <published>2021-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: The Christian Attitude Toward  Physical Death Based on Gregory the  Great’s Homilies on the Gospels
Autorzy: Bielecki, Paweł
Abstrakt: Man is the only earthly creature who is aware of himself and of the inevitability of his death. Death, as a mystery and inescapable reality, has always been the subject of reflection and research. Popes have also discussed this issue in their teaching.The aim of the article is to present human attitudes toward death in Gregory the Great’s homilies from the fifth and sixth centuries. A textual analysis of these homilies reveals that man should prepare himself for death in such a way that death arouses not fear, but rather joyful entrustment to God. Gregory’s homilies also convey that the decisions that a person makes throughout his lifetime have a powerful impact on the moment of his death. Pope Gregory demonstrates the interdependence of the free decision that man makes at the moment of death and the gift of eternal life with God. The pope proclaims that if someone lives a sinful life, then evil spirits will fight for his soul at the moment of his death. Therefore, it is of utmost importance to put one’s life in order before death and to be safeguarded by the prayer of the community of the Church at the moment of death.</summary>
    <dc:date>2021-01-01T00:00:00Z</dc:date>
  </entry>
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