<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/11779" />
  <subtitle />
  <id>http://hdl.handle.net/11320/11779</id>
  <updated>2026-06-01T16:16:47Z</updated>
  <dc:date>2026-06-01T16:16:47Z</dc:date>
  <entry>
    <title>Satanodycea (podobieństwo mówcy do podmiotu  lirycznego jest czysto przypadkowe)</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/11814" />
    <author>
      <name>Bartula, Piotr</name>
    </author>
    <id>http://hdl.handle.net/11320/11814</id>
    <updated>2021-10-21T05:45:50Z</updated>
    <published>2016-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Satanodycea (podobieństwo mówcy do podmiotu  lirycznego jest czysto przypadkowe)
Autorzy: Bartula, Piotr
Abstrakt: ‘The Satandicy’ is a literary coming out of Satan. It is not only justification but even praise for the world ruled by the Devil. He is shinning with phosphorescent charm, magic, beauty, luxury, splendour and rhetorical impudence. It is him who makes us lock the door, train bull terries, fasten bars on the windows and erect fences, build beatiful castles and prisons, put on crowns, load bullets, carry muskets, raise lances and banners, wage wars and pronounce anathemas. We are worshipping him when we are trying to create any sophisticated and witty constructions in order to protect the Lord against objections resulting from physical and moral evil in the world. In my speech Behemoth pays tribute to Leviatan and the Devil prefigures the phenomenon of Glamour.</summary>
    <dc:date>2016-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Czy witryna w sieci może być glamour?</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/11813" />
    <author>
      <name>Laskowski, Piotr</name>
    </author>
    <id>http://hdl.handle.net/11320/11813</id>
    <updated>2021-10-21T05:38:35Z</updated>
    <published>2016-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Czy witryna w sieci może być glamour?
Autorzy: Laskowski, Piotr
Abstrakt: How to build a glamorous school website? Is that really possible? We have to use new technologies which give us easy management and creating text, audio and video. The arrangement of text and images can influence our perception and it makes the site very attractive. Interaction which a user visiting the site can stimulate the desire to establish communication and to exchange views and information. One can be sure – young people are becoming more and more graphically sophisticated, and it is difficult to surpise and intrigue tchem in the network.</summary>
    <dc:date>2016-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Bling-bling w kulturze czarnego hip-hopu. Niewolnictwo czy wyzwolenie poprzez luksus?</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/11812" />
    <author>
      <name>Więch, Karol</name>
    </author>
    <id>http://hdl.handle.net/11320/11812</id>
    <updated>2021-10-20T12:40:05Z</updated>
    <published>2016-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Bling-bling w kulturze czarnego hip-hopu. Niewolnictwo czy wyzwolenie poprzez luksus?
Autorzy: Więch, Karol
Abstrakt: The article discusses the problem of luxury as a new pattern of interaction in the black hip-hop culture. Ostentatious wealth manifested by rappers is defined as the „bling-bling”, that is something that shines, enslaves and even blinds. However, luxury has become much more than a domain of a few artists. It is an example of showing changes in the socio-economic situation of black Americans as realization of „American dream” by people from the lower classes. The purpose of this article is, on the one hand, to show the liberation which is made possible by the richness, and on the other hand, enslavement to which people are functioning in today’s culture of hedonism – that example is the commercial hip hop music.</summary>
    <dc:date>2016-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Przejrzystość i blask. Retoryka wizualna w utopii i fantastyce naukowej</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/11811" />
    <author>
      <name>Leś, Mariusz M.</name>
    </author>
    <id>http://hdl.handle.net/11320/11811</id>
    <updated>2021-10-20T12:34:12Z</updated>
    <published>2016-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Przejrzystość i blask. Retoryka wizualna w utopii i fantastyce naukowej
Autorzy: Leś, Mariusz M.
Abstrakt: Science fiction is often depicted as literature of ideas. It is reasonable, but – in its essence – science fiction relies upon visual imagination, inherited from utopia, and it draws toward rhetoric visualisation thanks to such rhetorical devices as metaphor or hyperbole. It is placed at the very intersection of word and picture. Many movies, TV series, novels and stories share this principle, mainly in the form of basic but powerful meta-religious division between light and darkness, surprisingly borrowing its persuasive force from the sublime. One of the most interesting case here is cyberpunk, a dystopian genre reinforcing the idea and symbol of transparency.</summary>
    <dc:date>2016-01-01T00:00:00Z</dc:date>
  </entry>
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