http://hdl.handle.net/11320/11455 2026-06-01T16:26:05Z 2026-06-01T16:26:05Z Ruta, Marcello http://hdl.handle.net/11320/11610 2022-08-05T08:59:53Z 2021-01-01T00:00:00Z

Tytuł: Krytyka sztuki i ironia formalna w rozprawie berneńskiej Waltera Benjamina. Refleksje na temat dwóch kluczowych terminów wczesnego romantyzmu Autorzy: Ruta, Marcello Abstrakt: The article examines Walter Benjamin’s dissertation Der Begriff der Kunstkritik in der deutschen Romantik (The Concept of Art Criticism in German Romanticism), written between 1918 and 1919 and published in 1920. It is at least from the publication of L’Absolu by Philip Lacoue-Labarthe and Jean-Luc Nancy40 that the article obtained a central status in the research into Romanticism. This centrality, as Lacoue-Labarthe and Nancy rightly pointed out, is based on the fact that Benjamin’s dissertation is focused on understanding early Romantic aesthetics as a cultural phenomenon that is not based on literature, music or art in general, but should be considered above all through philosophical questions.

2021-01-01T00:00:00Z Trepte, Hans-Christian http://hdl.handle.net/11320/11587 2022-08-05T08:59:30Z 2021-01-01T00:00:00Z

Tytuł: Ambiwalentne paradygmaty literackich debiutów romantyków w kontekście środkowoeuropejskim Autorzy: Trepte, Hans-Christian Abstrakt: The article refers to the culture and politics of Central Europe, and more specifically to the context of the “uncertain zone of small nations” (Milan Kundera), which is largely unknown in the West. Poland’s specificity becomes the starting point, which in turn allows to present the literature of Poland’s neighbors, i.e. Lithuania, Czechia and Slovakia, all of which shared numerous historical and cultural similarities with Poland, as well as a close relationship.

2021-01-01T00:00:00Z Nielepko, Helena http://hdl.handle.net/11320/11586 2022-08-05T08:59:06Z 2021-01-01T00:00:00Z

Tytuł: Debiut Tadeusza Micińskiego – poemat Łazarze Autorzy: Nielepko, Helena Abstrakt: This article is devoted to the debut work of Tadeusz Miciński, a writer of the Young Poland (Młoda Polska) period. The article analyzes the nature of the work, its poetics and sources of satire. Additionally, the name of the poem is analyzed, and the portraits of the subject and the protagonist of the poem are outlined. The article presents a version of the prototype for both the subject and the protagonist, namely Cyprian Kamil Norwid. Attention is also given to the following issues: the character of the artist, octave verse form, Baroque poetics.

2021-01-01T00:00:00Z Janicka, Anna http://hdl.handle.net/11320/11585 2022-08-05T08:58:45Z 2021-01-01T00:00:00Z

Tytuł: Debiut i skandal: casus Zapolskiej (z romantykami w tle) Autorzy: Janicka, Anna Abstrakt: The article recalls the scandal related to Gabriela Zapolska’s 1885 literary debut Akwarele (Watercolors). The texts from this book included a short story Małaszka. Jan Ludwik Popławski in his 1885 review Sztandar ze spódnicy (Skirt banner) accused Zapolska, among others, of plagiarism of an unnamed work published in Kharkov. The author points to similarities of the works of a Ukrainian writer Hryhorii Kvitka-Osnovianenko (Biedna Oksana [Poor Oksana], 1841) and a Polish writer Zenon Leonard Fisz (Pokojówka. Szkic obyczajowy [The Maid. A moral sketch], 1850) to Zapolska’s short story. Although the author points out that Fisz was Kvitka-Osnovianenko’s translator, she also emphasizes the difference the same motif of a seduced female servant was portrayed by Kvitka-Osnovianenko, Fisz and Zapolska. He argues that plagiarism was out of the question.

2021-01-01T00:00:00Z