<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Kolekcja:</title>
  <link rel="alternate" href="http://hdl.handle.net/11320/10770" />
  <subtitle />
  <id>http://hdl.handle.net/11320/10770</id>
  <updated>2026-06-01T19:16:29Z</updated>
  <dc:date>2026-06-01T19:16:29Z</dc:date>
  <entry>
    <title>Komuno wróć – re-sentyment i jego konteksty</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/7918" />
    <author>
      <name>Majer, Artur</name>
    </author>
    <id>http://hdl.handle.net/11320/7918</id>
    <updated>2021-04-30T08:13:39Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Komuno wróć – re-sentyment i jego konteksty
Autorzy: Majer, Artur
Abstrakt: The article discusses a study of PRL nostalgia (Polish People’s Republic) expressed in Marek Majewski’s song Come Back, Communism. The title phrase was entered into Google to examine how it is represented in the Internet space. It turned out, that the song has no representation, and that Google results displayed for the user depend more on his search engine settings, on Google policy or on how the local market uses the word ‘communism’ in, e.g. public relations or advertising campaigns. This shows that understanding how Web searches work needs to be incorporated into media literacy curricula. Researchers willing to use Google or other web engines to analyze works of art that include language elements must be educated in terms of self-awareness and web search methodology. A researchers then becomes a skilled librarian or conscious philosopher and not just a recipient of Internet resources.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Obraz minionej epoki w programie telewizyjnym Legendy PRL</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/7917" />
    <author>
      <name>Arcimowicz, Krzysztof</name>
    </author>
    <id>http://hdl.handle.net/11320/7917</id>
    <updated>2021-04-30T08:14:23Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Obraz minionej epoki w programie telewizyjnym Legendy PRL
Autorzy: Arcimowicz, Krzysztof
Abstrakt: Legendy PRL (The Legends of the People’s Republic of Poland) is a TV programme which has been broadcast by a Polish TV station TVN Turbo since 2007. It presents automobiles and other vehicles from the period before 1989 when Poland was a socialist country. The vehicles are used as a point of departure to talk about the life in the previous system in Poland. With reference to methodological demands made by the representatives of discourse-historical approach I analysed 19 episodes of the programme. Legendy PRL most often makes use of the strategy of peculiarity which consist in stressing the differences in the social and economic life in socialist and present-day Poland. The picture of the former times painted in the programme is varied. The makers refer to discourse strategies which are aimed at evoking two feelings in the viewers: sentiment – when they show the bright sides of the life in socialist Poland – and resentment – when the dark sides of that life are presented.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Strategie kontynuacji PRL-owskich produkcji telewizyjnych po 1989 roku</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/7915" />
    <author>
      <name>Grzechowiak, Jarosław</name>
    </author>
    <id>http://hdl.handle.net/11320/7915</id>
    <updated>2021-04-30T08:15:04Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Strategie kontynuacji PRL-owskich produkcji telewizyjnych po 1989 roku
Autorzy: Grzechowiak, Jarosław
Abstrakt: 1989 is one of the most important date in Polish history. Political changes and destroy of communist system caused many changes in Polish society and culture. The aim of this essay is to study how many programmes produced by communist Television were continued in the last 28 years and how the authors of this continuations referred to original versions.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Kreowanie znaczeń we współczesnej nowej nowomowie</title>
    <link rel="alternate" href="http://hdl.handle.net/11320/7914" />
    <author>
      <name>Strawińska, Anetta Bogusława</name>
    </author>
    <id>http://hdl.handle.net/11320/7914</id>
    <updated>2021-04-30T08:15:46Z</updated>
    <published>2017-01-01T00:00:00Z</published>
    <summary type="text">Tytu&amp;#322;: Kreowanie znaczeń we współczesnej nowej nowomowie
Autorzy: Strawińska, Anetta Bogusława
Abstrakt: Modern Newspeak or democratic Newspeak undoubtedly have a modifying effect on the values and speech, becoming almost a form of linguistic censorship. The subject of these linguistic exploration is the mini-dictionary compiled by Michał Wojciechowski, which illustrates the basic techniques used by modern “public speakers” to manipulate the sense of words which have an established meaning in Polish in the name of “political correctness” (PC). Inpractice the rules of PC amount to irrational and unconditional acceptance of everything the government wants and enforces (ideologically) proper language, giving old terms not so much a new meaning as range. The aim of the article is to describe the basic semantic mechanisms of the transformation, in particular: marginalisation, often deprecating, of terms expressing traditional values; ways of attributing arbitrary meanings to positive terms; generating new terms, on one hand as carriers of new ideology, on the other to slander or neutralise an opponent.</summary>
    <dc:date>2017-01-01T00:00:00Z</dc:date>
  </entry>
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